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Wiping a smear of chocolate
from your cheek, our arms tangle
over the bowl of batter
you’ve thinned with a cup of oil,
sailing a second licked finger through it,
discoverer of a pleasure
actually intended to be
as momentary as it is,
the anticipation of finality being the thing
that makes it good.

I have laced your anniversary dress
for the lit mirror, I have
loosened a tight black tie
over the ceremonial meal,
almost certain, for a moment,
that I wanted nothing,
that a wish’s realization need not
undermine what was hoped for,
unimpressed by the usual determinants
of sorrow, their inadvertent companionship
which becomes a kind of life.

Even so, better to reconcile
desire with what is
merely adequate, with what can’t go on:
a dance beneath this
fizzing kitchen light, clumsy and unattended,
a heated steel scoop
carving a globe of ice cream,
an extra something
to go with the cake we made,
just because.

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Gianmarc Manzione received his MFA in creative writing at The New School in 2004. His work has appeared in The New York TimesThe Paris ReviewThe Southern Review, and elsewhere. This Brevity, his debut collection of poetry, was published in paperback in 2006. Pin Action: Small-time Gangsters, High-stakes Gambling, and the Teenage Hustler who Became a Bowling Champion, is forthcoming from Pegasus Books in 2014. 

Each month TIE highlights a contemporary poet who presents three poems and one personal essay in which food is consumed, passed over, or reckoned with.  Gianmarc is our poet for December, 2013.

Each month The Inquisitive Eater will feed you three (randomly chosen) food related words.

Send us original poetry, prose, or visual art that uses these words.

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Shake them, spin them, turn them inside out.
Highlight them or tuck them into the crevices of your work and make us dig.
Play and we will publish our favorite submissions.

December’s Mix:
Dough
Couscous
Peas

images
(Send all submissions via Submittable. Put “The Monthly Mix” in the subject line. All work is limited to 500 words or less.)

Each month a contemporary poet presents three poems and one personal essay in which food is consumed, passed over, or reckoned with.  Gianmarc is our poet for December, 2013.  

 

Summertime Blues II

The hour loads its one good bullet
and aims. Air conditioners resume

the gargled drone of clearing throats
to keep out the summer.

Thick with a whiff of approaching rain,
August coils inside me disguised as a memory.

Noon films my face
with the sweat I wiped away

at my prom date’s door,
concealing a chilled corsage

in a suit and scuffed shoes.
I am a boy then,

crashing my lips into hers
with the inelegant abandon of a first kiss.

Memory scents the screened-in porch
with smells of grease and grill fuel.

Only the neighbor’s spices know how
they reach me here

all the way from my boyhood
to reconstruct an obscure despair,

the stink of onion on my mother’s hands
the day she reached across the meal she made

to tear away the shot glass of Heineken
my father poured on a whim for me,

denying me, I thought, the one thing
any boy must do

to make a father love him.

 

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Gianmarc Manzione received his MFA in creative writing at The New School in 2004. His work has appeared in The New York Times, The Paris Review, The Southern Review, and elsewhere. This Brevity, his debut collection of poetry, was published in paperback in 2006. Pin Action: Small-time Gangsters, High-stakes Gambling, and the Teenage Hustler who Became a Bowling Champion, is forthcoming from Pegasus Books in 2014.

February 28: Food and Design
Parsons Design Strategies Professor Adam Brent will discuss how food and design meet with Professor Stefani Bardin, Pedro Reissig, and Brian Sullivan.

March 10: Dining + Design, with the James Beard Foundation
More information, including speakers to be announced.

April 28: Al Dente: a History of Food in Italy book launch
Food Studies’ own Professor Fabio Parasecoli invites you to celebrate the release of his latest book, on sale this spring.

May 10-11: Edible Magazine Conference
The Edible Magazine series has become an important source for news, stories, and photos from local food scenes. Join Edible and their special guests as they discuss important issues including the food revolution, sustainability, and the emergence of food tech and media.

May 12: Dining + Design, with the James Beard Foundation
More information, including speakers to be announced.

As always, more information about our events will be posted on our Facebook page as well as on http://events.newschool.edu. Check back often to learn about what’s happening at The New School next semester!

by G Collins

Winter Mallow
 
I don’t speak often of you though I should –
you’re delirious
& reek of an early sunset for sure.

You’re a snug fit, a silk coating.
I sink
& I need to drink more water,

or,
at least refill the Britta to give the impression that: “I’m on it.”

Dry air, my dying skin flaking off,
festered
& fluttering in the forced air.

A deep Vanilla Sky afternoon
with you, or the birds,
or the fire burning down the block.

 

Gregory Collins is a graduate of the Riggio Writing and Democracy Program and received his MA from The New School’s School of Media Studies. His activity includes sound work, GPS-guided narratives compositions, poetics and humor. His interactive literary journal DRIFT INDEX will appear online in Spring 2014. 

Click here to read more of G. Collins’ Sickly Sweet poetry on The Inquisitive Eater.

by Nathalia Perozo

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Philosophers have long chastised carnal pleasures, placing gluttony and lust in the category of sinful vulgarity.  But as many foodies (and sex addicts) can attest, in the pursuit of bodily pleasures one often finds divinity. Whether it’s buried under an Insalata Caprese or glistening in post coital sweat, there is holiness in what presents itself when we excite our baser desires. That holiness is a direct result of surrender, of embracing a joie de vivre only obtained through immoderation. I would also posit that well-earned indulgence leads to sanctity. It is that inherent tension of hunger and satisfaction that binds food and sex so beautifully.

A few years ago I read the food critic Gael Greene’s memoir,  Insatiable.  The book starts with her recounting the time she had sex with Elvis Priestly as a teenager. Further on she mentions a tryst with the lean and vegetarian Clint Eastwood. Her memoir has two themes: good food and even better sex. When I first read it, Greene appeared to me to be simply a foie gras loving nymphomaniac. But now, having been inducted into the Dionysian worship of sex, food, and wine – I understand her path of pleasure seeking.

Aside from my obscene love of buttered bread, I’ve always been indifferent to gastronomy. My cooking skills cap at my ability to boil water but I now peruse cookbooks at leisure. If nothing else, flipping through the pages allows me to gush at the mini worlds of ingestible heaven created by the high priests we call chefs.

This fall I stumbled into a love affair that began with innocence and bloomed with intensity. Amidst the pink haze of romance I developed a voracious appetite. The sex was addicting and triggered an incessant desire for gratification. Good sex is uninhibited sex, and in letting myself go I sparked a deep craving for all kinds of consumption – particularly for wine and French cheese.

My new found hunger led to a remarkable culinary awakening. I used to view my yearnings as pitfalls, after all one of the major tenants of Buddhism is that desire leads to suffering. But I’ve learned to respect my cravings. Julia Child said it best in an interview with Esquire magazine, “I’m all for hunger among the well-to-do. For comfortable people, hunger is a very nice quality. For one thing, it means you’re healthy. And I love the anticipation.”

 

Nathalia Perozo received her MFA from The New School, where she served as Co-Chair of the Feminist Writer’s Organization. Her current project is a collection of poems inspired by Marilyn Monroe entitled Divinity. Nathalia lives and works in New York City.

by Ross Miranti

Foodies of many stripes have welcomed the election of democrat Bill de Blasio as mayor of New York City for his progressive views on issues such as food justice, food security, and local food. But there is one important food issue de Blasio supports that does not get much attention from food activists: global food production has an enormous impact on the climate.

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As city councilmember in 2009, de Blasio sponsored a resolution on New York City’s ‘Foodprint,’ citing the many ways that food contributes to global warming: packaging, shipping, and, above all, the emissions from livestock production, which, as stated in the resolution, accounts for more emissions than all transportation combined. In collaboration with Manhattan Borough President Scott Stringer and with the support of NGOs and other city councilmembers, the resolution called on the city to adopt climate-friendly food policies that include “financial and technical support, a public awareness campaign regarding the city’s food consumption and production patterns, and greater access to local, fresh, healthy food.”

The resolution was non-binding but shows that local policy-makers are aware of the connection between food and climate change and recognize the need to reform the city’s food system. It was similar to Chicago city council’s ‘Green Food’ resolution, which received unanimous support earlier in 2009, both in its content and in that neither resolution has been translated into policy change.

Though there is a global consensus that climate change is manmade and demands immediate attention, the role of food in global warming is not widely recognized – for example, Al Gore did not mention the issue in his film An Inconvenient Truth, though he has since spoken about the need to reduce meat consumption. In this sense, perhaps the value of these city-level resolutions is their power to raise awareness about the food-climate issue and to link global warming to local lifestyles. While it is somewhat promising to see the food-climate debate taken up in New York City, there are many obstacles to overcome if local and global food systems are to be sustainable and climate-friendly.

First, while the UNEP, FAO, and environmental specialists from the World Bank Group recognize that livestock is responsible for a large share of greenhouse gas emissions (14% -51% of total manmade emissions in carbon equivalent), their policy recommendations tend to be limited to either making livestock less carbon intensive or adapting food production to climate change. While both of these are important steps, the rising global consumption of animal-based foods caused by population growth and economic development will increase livestock numbers to 100 billion land animals yearly by 2050 (up from the current 60 billion), bumping up demand for agricultural land 70%. Therefore, any realistic strategy to mitigate food emissions must also look at reducing the consumption of meat, eggs, and dairy and increasing the consumption of climate-friendly, plant-based proteins.

Second, while there is some policy debate of the food-climate issue at the highest international food and environmental agencies and in large cities such as New York and Chicago, this debate is not occurring at the national level. Countries are the most important players in climate policy because they have ultimate authority over individual regions and municipalities in their territory and they are the ones who comprise international organizations such as the UN. Even though introducing the issue into national policy debate would not mean automatic policy change – and we have seen the unwillingness of countries to take any substantive climate action that might compromise their economies – it is an important first step towards any future reform of food systems.

While a climate-friendly food system capable of nourishing the growing world population seems like a remote dream, it is possible if 1) the food-climate issue becomes mainstreamed into climate debates at the local, national, and international levels, 2) the policy response focuses on real alternatives that entail the increased consumption of climate-friendly foods, and 3) countries actively and earnestly implement such policies domestically.

For those of us in New York City who are concerned about the issue of food and climate change, the election of de Blasio offers an exciting opportunity to lobby the city to pursue greener food policies and to raise awareness of food’s role in climate change. As one of the hubs of culture, finance, and global policy, New York has the opportunity to make an impact not only through changing the consumption habits of its 8.3 million residents, but also through serving as an example for other cities and perhaps even those who run the show in Washington.

 

Ross is interested in the impacts the global livestock sector has in terms of sustainability, food security, climate change, and animal welfare. In addition to organizing a conference on this issue at the New School in 2012, he has done work in this area with organizations such as Humane Society International, Brighter Green, and, most recently, Waterkeeper Alliance. For more of Ross’s writings on the food-climate issue, visit www.thecostofdiet.wordpress.com

BREAKFAST

The brisket this morning is thicker than usual. My father sits
across the table and talks about how people grow apart. I stab an
egg and watch the yolk bleed into the potatoes. We split a
cinnamon roll, and he says your mother sure could bake a coffee
cake. In the afternoon, we find a cafe with couches and rest our
feet on a table. I watch the sun. He writes in long form on a pad
of lined paper. I read Gertrude Stein and ask him if he’s ever
read her. No, he says, don’t think so. But once I found a copy of
Portrait of the Artist with his annotations in the margins. One
time he told me he was a poet.

DINNER

The waitress wore high-waisted jeans and wrote the menu in ink on a paper
tablecloth. We sat in the corner with dim light and you explained how citations
work: If the boy is wearing a red hat, then I reference the place where hat is first
mentioned. If the boy hates the hat, then I point the reader toward the place
where the boy stomped on the red hat, which, we can then infer, means he hates
the red hat.

I can tell with ease
you find the pork too salty.
I grin as you chew.

 

Laura Jo Hess holds an MFA in poetry from The New School. Her work is forthcoming in Barrow Street Journal. 

Mirror Instructions
 
Be unembarrassed in an unused kitchen,
we are innocent/raspberry tarts behind the glass.
Extracted from the warm bread of love, I am
fluent in culinary ambition.
 
Be optimistic when peppered with a muse.
Groucho Marx presents the boy with the biggest heart.
He earns the skyline, giver of buttered devotion.
I abandon the script from my teenage life
and am sophisticated, a Francophile.
 
Dinner is served on a silver platter.
Over tip like a wet dream sent from paradise
the appetite chants louder –
and my mouth breaks into its favorite refrain.

 

Nathalia Perozo received her MFA from The New School, where she served as Co-Chair of the Feminist Writer’s Organization. Her current project is a collection of poems inspired by Marilyn Monroe entitled Divinity. Nathalia lives and works in New York City.

My paintings represent food from a variety of different cuisines seen from above. Their flattened surface planes reduce details to strong graphic images demonstrating a fresh visual vocabulary. This is the essence of edibles: combining elements of abstraction and representation, pattern and grid, surface and illusion, as well as observation, imagination, and memory.

Overall, I strive for a new perspective. While the colors and shapes are traditional, the oversized proportions painted from above display the subject in a way that is both inventive and recognizable.

Fancy Cakes300

Fruit Medley300

Sushi300

 

Salmon canape300

 

Born in Philadelphia, Toni studied painting at the Philadelphia College of Art and graphic design at the School of Visual Arts. She is a Manhattan-based artist and graphic designer. Her work is represented in private and corporate collections and has been in many exhibitions, including a two month solo show at the James Beard House Gallery. More information is available at www.tonisart.com