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I knew olive oil was not the fountain of youth. Still, I dripped them onto the raviolis from the can, hoping it would shrink the tumor in Daddy’s liver. All the books and webs said it gave longevity.

When I snuck rosemary into pasta, Daddy protested. When I sprinkled oregano, he protested. Green spices grated his taste buds. When I snuck the olive oil in without his consent, he didn’t protest. Maybe it just didn’t excite his taste buds, maybe it didn’t pleasure his taste buds. Regardless, I had faith the olive oil would shrink the tumor millimeter by millimeter.

When he became ashes, I never loss faith in olive oil. It became the sauce of my pho noodles along with the traditional fish sauce. I topped my homemade chicken noodle soup with it. When I make the bowl of instant ramen with diced blood red peppers as Mommy likes it, I slip in olive oil for her. I liked how the oil bubbled and floated on soup and how it polished the carbs it caressed. Olive oil became my ketchup. I dipped my McDonalds fries and McNuggets in them. It didn’t add anything remarkable to the taste, but I imagined the oil floating in my bloodstream, soothing the tumors-that-could-be. It was my longterm plan. Eat more olive oil and I could live to 80.

The only time olive oil disappointed me was when I was studying abroad in Florence, Italy where octogenarians biked across the pavement. One of the hardest lessons was that olive oil didn’t taste well alone. When I sipped from the sample cup, the liquid rust disillusioned my buds with bitterness. The oil needed to touch something solid, a wedge of bread, for it to be pleasurable. Olive oil is best when it is not alone, olive oil needs companionship.

I still smother that liquid rust on my pho, ramen, scrambled eggs, potatoes, avocado. Eat the rust to chance on more years. Eat the rust to scare away the tumors that could blossom in my organs. Eat the rust to delay the inevitable.


Caroline Cao is a Vietnamese-Houstonian Earthling surviving under the fickle weather of New York City. She’s currently surviving her MFA program in Nonfiction at The New School. When she’s not working on her memoir, poems, plays, or screenplays, she is cooking her own pho noodles with purple carrots and lots of cilantro. She has written film reviews and essays for IndieWire, Birth Movies Death, The Mary Sue, Fandor, and Film School Rejects. Follow her on Twitter/Instagram @maximinalist.

In case of a crash
the insulin mobile

will come in a rush
to extinguish the sticky
situation of how to explain

why you fell into a coma
with no regard for your fellow
co-worker on Pier 17 who drops

a grape juicebox at the sight of you
glazed with a trickle of drool
naked as a light

bulb unscrewed
from the neck of a lamp
and head down you get limp yellow

sorry it was an accident is no consent
for the lifeless appetite
and hospital
socks.


Sheriff B.J. Franke is an MFA student in poetry at The New School.

I had a Noni once—for my first eight years—who lived on a poor street in a tidy tenement apartment where her grandchildren always found ice-box cake in the fridge: layers of graham crackers, pudding, bananas, and whipped cream sprinkled with cinnamon. In the freezer, in every season, double stick root beer ice pops. And in the treats drawer, a cellophane bag of Circus Peanuts—orange colored but banana-flavored, hard marshmallow and shaped like giant peanuts in the shell, the texture of dried sponge, sweeter than a sugar bowl.

By the time I was seven, Noni’s diabetes had taken her right leg and much of her joy in eating, so she no longer dug into the peanuts bag with me, or snapped an ice pop into two for us to share. The day we took our usual walk to the neighborhood bakery to buy our weekly bag of coffeecake crumbs for a nickel and she didn’t share them with me was one of the saddest days in my little life.

* * *

One treat Noni still loved was her Black Jack gum, stored in a special place at the top of the kitchen hutch, off limits to her four children and eight grandchildren. Off limits even to her beloved youngest grandchild—me. I was the only kid allowed to detach her artificial leg so I could cozy up on her lap while she leaned out the window to sing Italian songs with ladies at windows across the alley.

For a long while, I never cared about the gum. Who wanted to chew something that made your teeth resemble wet charcoal and your tongue look like you had been sucking on a black marker? But oh, how I loved the gum’s pungent smell, its blue and white packaging. I’d stand on the kitchen stepstool for many minutes to sniff its sharp, anise-like aroma, fascinated that one candy—not only licorice, but black, my favorite kind—could be the flavor for another candy item. Holy double junk food Batman!

“Go get my gum,” Noni occasionally commanded. Everyone knew this meant bring her the entire pack from its special spot. Only Noni was permitted to extract a precious wrapped stick, slowly unwrap and slide it into her mouth, then smooth and fold the wrapper and slip it into her baggy smock pocket. Then she’d hand the pack back, and watch as it was returned it to its rightful place.

* * *

By early evening on one cold and windy winter Saturday, Noni and I had already made pizza, played checkers, and sung along with Mitch. While she rested, I read to her from a book about horses; she liked that because she couldn’t read English. When we ran out of entertainment, she told me stories while I flicked the lock-and-release lever on her wooden leg.

I had a root beer pop, sucking out the fizzy sweetness for as long as I could make it last. Then I picked up the dust of the bakery crumbs with a wet finger. Finally, with nothing left to capture my attention, I remembered the gum, and asked if I could try a piece.

“You may no like,” Noni said. “It’sa strong.”

“But I love licorice. Please?”

The edge of her mouth twitched into a tiny one-sided smile, and she motioned toward the hutch.

I balanced the stick solemnly on my tongue before letting it touch my teeth. It was everything I feared—chalky, with the strongest flavor; like and nothing like black licorice—and every good thing I’d imagined: bold and bitter in the way coffee and other fabulous and forbidden adults-only foods must taste.

Noni died just a few months later. I asked for her thin, worn old quilt and slept under it until leaving for college.

* * *

I forgot all about Black Jack gum until I went shopping last fall, in search of a container to pack up my son’s college linens.

About three miles from my comfortable suburban home—halfway to the site of Noni’s old tenement, razed now for a highway entrance ramp—stands a shiny new store overflowing with everything for the home: gadgets, pillows, clocks, art, containers of every sort. There’s an eclectic food section too that features things like salted-kale-pumpkin-soy cookies, bacon-flavored Georgia grits mix, and antioxidant Wisconsin cherry preserves. Tucked randomly in-between are offbeat vintage offerings: cans, bottles, and packages of foods I thought had vanished long ago. The Circus Peanuts and the Black Jack gum brought my cart to a halt.

My teeth ached just remembering the orange sugary Peanuts, but I bought a single pack of the gum. In my head I heard Noni’s startled grunt. “Two-fifty for gum?” followed by some Italian curse word.   

Back home, I place the pack on my kitchen table, where my chair rests near my back window. From there, I can’t see any neighbors, though I have a sudden urge to open a window, lean out, and sing some old Italian song. Instead, I open my laptop and learn that Black Jack was the first flavored gum, the first to appear in stick form, and has a long reputation for calming acid reflux. Noni frequently complained of agita, and I picture her pressing flattened fingers against her chest while making a sour face. Did those moments coincide with her asking for gum? I don’t remember.

For the moment, I leave the gum there on the table, not sure yet whether I want a piece or just want to know I have the pack nearby. Then I move on to my original task: filling the plastic container I bought with the sheets, blanket, and quilt my son will need in his dorm room. As I fold up his quilt, I wonder for the third or fourth time if he’d rather have a new one. He’s opted to bring the quilt he was allowed to select when we repainted his room back in sixth grade; it feels a bit worn and I think it’s a little juvenile. But I say nothing, smooth my hand over it, close the lid.

Finally, I unwrap one piece of Black Jack and balance it on my tongue. I smooth the wrapper, then fold and stick it in the pocket of my yoga pants. Then I tuck the gum pack behind a fancy pitcher on the top shelf of my dining room hutch. Who knows, I may go looking for it some windy cold Saturday.

 


Lisa Romeo is the author of Starting with Goodbye: A Daughter’s Memoir of Love after Loss (University of Nevada Press, 2018). Her work is widely published, including in the New York Times, Brevity, Under the Sun, Hippocampus, and listed as Notable in Best American Essays 2018 and BAE 2016. She teaches in the MFA program of Bay Path University, and works as a freelance editor. Lisa lives in New Jersey with her husband and sons. Find her at http://lisaromeo.net/

 

In America we live for the weekend. For those of us fortunate enough to afford the
weekend off, the quick break grants us temporary freedom from monotonous labor in the land of
the free. My family use to celebrate the weekends in such a way that our souls danced on
Saturdays and thanked us for it on Sunday mornings. It was important for loved ones to unite and
make time to celebrate life no matter the trauma we were forced to carry everyday as
economically disadvantaged Blacks in the south. Although we did the same things every time we
met, we never grew tired of the ritual. That familiar sound of crackling noises the hot grease sang
aloud; a signal that the catfish was ready to be fried. The constant laughter bouncing off of the
cigarette smoke clouds filling every corner of the living room. Every Saturday and Sunday was a
ceremony of dancing, eating fried catfish with barbecue beans and crying tears of joy in church
the next morning while God reminded us that we were still alive. Aunt Mariah’s love and Uncle
Jessie’s famous fried fish and barbeque beans kept the spirit of our family alive.

Aunt Mariah and Uncle Jessie weren’t a perfect couple and their story wasn’t fit for
daytime television but their unwavering love and commitment to each other kept the family
united as one. With two children and more bills than they could afford, life was undoubtedly a
struggle. But for some reason everyone in the neighborhood would all migrate to their home for
a helping of southern fried catfish and a taste of smoky barbecued beans every weekend. The
kids in the family were always thrilled to visit every weekend because we knew that meant we’d
be feasting on frozen cherry flavored cool cups1 and hot cheetos. My cousins and I would
1 Really sweet frozen treat made with kool aid and too much sugar
congregate in the back room to play with each other, fight and then cry like hungry puppies until
it was time for all of us to eat.

“Come on y’all!”, Uncle Jessie shouted in his unapologetically rough Arkansas accent,
“Come get this food!.” At the thunderous roar of Uncle Jessie’s voice, all of the children would
dash through the smoke filled living room like turbulent ridden planes accidentally crashing into
the towering grown ups who were busy doing grown up things. The rambunctious sounds of
dominoes slamming on the table and adults laughing wildly at inappropriate jokes filled our nosy
ears until Aunt Mariah would yell out “Stop all that running in this damn house and get out of
grown folks mouths2!” Uncle Jessie was a strong, tall man but even when he yelled he kept a half
smile. Aunt Mariah on the other hand yelled out commands with the authority of a mighty sword
halting us dead in our tracks. So we would avert our attention from where the grown ups were
doing grown up things and proceed with caution en route to get some of that salty, crunchy, hot
fried fish and smoky, sweet, barbecue beans. I can still remember how the paper plates would
look all lined up and stacked with food for each one of us kids to grab.

The fish laid tantalizingly on the plates a glorious golden color with dark brown speckles
of salty seasonings freckled on top of each filet. Quite frankly, all you needed was some
Louisiana hot sauce and Wonder Bread on the side for a fulfilling meal, but the hot, brown sugar,
glazed beans with spicy ground beef stirred in them made the unlikely combination of fish and
beans a special meal we all looked forward to sharing after the long week.

That’s why when Aunt Mariah was diagnosed with lupus the entire family congregated at
her home like it was the famous neighborhood diner that was soon to be closed forever.
2 In the South, when a Black adult tells a child to “get out of their mouth” it means to leave the area while adults
are speaking with one another.

Sometimes all of us kids spent the night at Aunt Mariah and Uncle Jessie’s home during the
weekdays even though school was still in session. We thought our parents were just being nice
and letting us have random sleepovers whenever we wanted but the truth was that Aunt Mariah’s
lupus was progressing and her kidneys started to shut down. And what was once a weekend
ritual soon turned into several daily visits. Did the grown ups know how much Aunt Mariah
meant to all of us little ones? Were they keeping us closer to her for their own secret grown up
reasons that we wouldn’t have understood? There had to be something more than frozen cool
cups, hot cheetos, fried fish and beans that kept us children so full off of Aunt Mariah’s love.

When the weekend gatherings turned into frequent hospital visitations, there was a
noticeable shift in the atmosphere. The grown ups drank beer less often and starting chugging
coffee a whole lot more. The cackling laughter and jokes turned into long whispered
conversations. My naivety couldn’t pinpoint why everything seemed to be changing. Uncle
Jessie hadn’t cooked fried fish and barbeque beans in a month of Sundays. And whenever we did
go visit him while Aunt Mariah was in the hospital he was always reserved and hushed. Uncle
Jessie would sit in the living room just scratching his head a lot with his eyes set low and
bloodshot red. The family figured after Aunt Mariah’s kidney transplant that everything would
return to normal and the weekend ceremonies would commence again like usual. We desperately
needed to reunite over food and laughter outside of the chilly, white hospital walls, but Aunt
Mariah flatlined two days into her recovery. She was 33 years young.

After Aunt Mariah died, life continued and time progressed as it always does. The grown
ups kept working Monday through Friday and most of the kids continued school; some of them,
including me, went off to college. I hadn’t seen Uncle Jessie in almost a decade when my mama
received a surprise call from him inviting us over for dinner. After Aunt Mariah died, he lost
custody of my cousins and went off the radar and I hadn’t seen them in years either. But my
mother never changed her phone number, and when Uncle Jessie called it almost felt like old
times again.

When Uncle Jessie opened his apartment door, he stood tall with a half smile and was
noticeably smaller in weight. And boy was I excited when he showed us the huge aluminum foil
pan filled with sweet barbecue beans and spicy ground beef for us to take home. My little sister
and I fixed us a plate and sat in front of the living room television while my mama and Uncle
Jessie stayed in the kitchen and talked for hours. I eavesdropped on them making plans to reunite
the family just like old times and my heart grew warm at the thought of spending time with my
cousins again.

Eventually we said our goodbyes and left with our huge batch of barbecue beans, but I
guess we were too caught up in the moment to realize that we had left the beans on top of the car.
After a couple of minutes of driving down the road we noticed what looked like heaping amounts
of poop sliding down the car’s windshield. The barbecue beans had splattered everywhere and
flew away. We never went back to get more beans from Uncle Jessie. That was the last day I
ever saw or spoke to him. It was truly the end of an era.


Victoria Richards, born in Queens, New York and raised in Houston, Texas is a poet, freelance writer and second year MFA Creative Writing student at The New School. She has a passion for encouraging children to appreciate and create literature for the sake of self-discovery. Lastly, Victoria is a connoisseur of all things Black Girl Magic.

my grandfather teaches me to slice
a salmon into filets,

watch how I hold the knife. through the gills,
          down the spine.

silver scales stuck to all my fingers,the wood table
wet with fish blood and purple
guts. he runs his knife down the spine,

 

see how the salmon moves like she’s
still alive?

every vertebra outline by the tip of the blade.

see how I hold her tight?

the salmon meat is red and full of blood
and bones too small to see.

 

she is all of our meals. within her we find
ourselves.

my grandfather is a small man, his eyes are blue.

 

there is nothing she is that you are not.

our hands are slick with the same blood.


McKayla Coyle is a graduate student in the MFA Creative Writing Program at The New School. McKayla is originally from Anchorage, Alaska and loves writing short stories about the Alaskan wilderness.

Remember the autumn of razor blades
hidden in candied apples and peanut butter
cups? That first bite of impossible alertness?

 

We knew then the lifelong risk of our addiction,
each discovery in a drawer or cupboard
carrying a chilling thrill—not to mention

 

what we found on park benches
and food-court trays, or, once, the seatback flap
of a flight to Akron. It could be a Narnian delight

 

or the tempting green of something
Never-Landian. . .or it could be spoonfuls
of anything: honey, syrup, jam, treacle—

 

whatever trips that neural switch and triggers
the haywire surge to brain from tongue.
And this isn’t just the cane-lust of the young;

 

no gateway drug: it is our crystal clearing,
our dopamine, our strobe-lit stroke.
Stick me with it, darling. Be my sugar coat.


Gabriel Fried is the author of two poetry collections, The Children Are Reading and Making the New Lamb Take, and the editor of an anthology, Heart of the Order: Baseball Poems. He teaches in the creative writing program at the University of Missouri and is the longtime poetry editor for Persea Books.

Remember when we drank all that bourbon?—
We know it’s not bourbon in Tennessee,
Matt, and so J.D. isn’t really bourbon.
Please stop telling us that repeatedly.

We know. It’s not bourbon in Tennessee.
And no cares when whiskey’s with an ‘e’.
Please. Stop. Telling us that repeatedly,
over and over, is like dying

when no one cares. When whiskey’s with an ‘e,’
when it isn’t. Please. Let’s all just drink it
over and over. It’s, like, dying
to be drunk: lonely, golden with sadness

when it isn’t. Please let’s all just drink. It
will be the sickest, one of the best nights, got
to be, drunkenly golden. With sadness,
we’ll finish the bottle. I wonder which one

will be the sickest one. Oh, the best night? Got
to be that one night—Matt, was that bourbon
we finished—that bottle—no wonder no one
remembers when. We drank all that bourbon!


Gabriel Fried is the author of two poetry collections, The Children Are Reading and Making the New Lamb Take, and the editor of an anthology, Heart of the Order: Baseball Poems. He teaches in the creative writing program at the University of Missouri and is the longtime poetry editor for Persea Books.

Everything I like to drink has a mother. Not a mother with udders or teats, not a mother who alchemizes grass into cream. Everything I most like to drink these days has a sour mother, a slimy mother, a slick sediment at the bottom of the bottle that makes me flinch when it slips in my mouth.

 

***

 

Milk is the official beverage of twenty one American states. Twenty four American states have no official beverage, but we can guess what most would be.The white stars on the flag might as well be filled with milk.

 

***

 

I was a Midwestern milk-fed girl but can no longer abide milk from mammals. I drink milk from nuts and grains now, from seeds and legumes, nothing with a nipple (although perhaps a seed is all nipple. Perhaps a bean is all nipple. Perhaps each small food that is pressed into milk is nipple upon nipple upon nipple.)

 

***

 

My mother nursed me for a year. This was uncommon thensix months was suggestedbut she just couldnt stop. I nursed my three children a total of eight and a half years. I clearly couldnt stop, either. I can still feel the sharp tug, the dreamy float, a small body warm against me like a tender loaf of bread.

 

***

 

When Sylvia Plath took her own life, she left bread and cups of milk by the beds of her sleeping children.

 

***

 

The average American drinks 20.4 gallons of cows milk a year, a year in which  the United States pulls 212 billion pounds of milk from udders. So many mothers drained into the bodies of America.

 

***

 

When my mother took her own life one week after my youngest child was born, my milk had just started to come in. I worried grief would parch my milk to powder,but somehow it kept flowing. Somehow my baby kept it sweet.

 

***

 

The kombuchas and drinking vinegars Ive come to love have bacterial mothers, mothers that wont coddle you; mothers that wont break your heart. These mothers are made of yeasty zoogleal mats; these mothers are made of fermented lichenous cultures; these mothers have Latin names that mean fungus and acid and skin. When I first tried these mothers, I puckered and shivered and found them too sour to bear, but Ive come to crave their bite. Im learning what toxins can sustain me now, learning to speak with bitter mother on my tongue.


Gayle Brandeis is the author, most recently, of the memoir The Art of Misdiagnosis: Surviving My Mother’s Suicide (Beacon Press), and the poetry collection The Selfless Bliss of the Body (Finishing Line Books). Her other books include Fruitflesh: Seeds of Inspiration for Women Who Write (HarperOne), and the novels The Book of Dead Birds (HarperCollins), which won the Bellwether Prize for Fiction of Social Engagement, Self Storage (Ballantine), Delta Girls (Ballantine), and My Life with the Lincolns (Henry Holt), which received a Silver Nautilus Book Award and was chosen as a state-wide read in Wisconsin. Her poetry, essays, and short fiction have been widely published and have received numerous honors, including a Barbara Mandigo Kelly Peace Poetry Award and a Notable Essay in Best American Essays 2016. She teaches at Sierra Nevada College and in the low residency MFA program at Antioch University Los Angeles.

You’re forgiven for mistaking
for appetite the rumble
of trucks or the clank
of mechanical digging
on farms in the valley.
It is early evening
in truffle season,
zucchini engorge the garden.
The baby boar we found and raised
with love is hung with meat.
On cutting boards everywhere,
garlic, scallions, rosemary, and mint.

Tomorrow will be five days
since eating, five full days
since apricot and crust
of bread. The elders have all come
to me, experts in psychology,
neurons, physical education.
You’re a boy, a growing boy!
they wail, You’ll waste away,
your organs will devour themselves
like in a fairy tale! Eventually,
though, they wander off.
Other children need them:
a girl who never bleeds,
one who never stops;
a boy whose tear ducts
make no tears.

Now it’s dusk. Lights flick on
in the village, stars like pinpricks
overhead. What do you think
powers them when God
has business? Within me
an engine whose fuel is wanting.
Can you hear it? It’s what you take
for distant pangs of thunder,
a storm you think is coming
in the night.


Gabriel Fried is the author of two poetry collections, The Children Are Reading and Making the New Lamb Take, and the editor of an anthology, Heart of the Order: Baseball Poems. He teaches in the creative writing program at the University of Missouri and is the longtime poetry editor for Persea Books.