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Mariel Sullivan

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Via Red Cross Red Crescent Climate Centre

 

With Rebeka Ryvola, Red Cross Red Crescent Climate Centre

A pizza pie that demonstrates the proportion or clean vs. fossil fuel energy with a perfectly edible and appetizing portion while the remaining two thirds of it are unsavory, burnt? An exquisite dessert with an unexpected garnish of crickets inviting western populations to explore alternative, environmentally-friendly protein sources? A range of salad dressings with increasing proportions of red and spicy Moroccan harissa to show how climate change brings increasing discomfort? These were some of the climate data concepts shared at the Community Based Adaptation to Climate Change (CBA 11) conference in Uganda in June where the Red Cross Red Crescent Climate Centre brought food, climate, and data together in an out-of-the-box session created in collaboration with The New School.

Climate cuisine? It’s not just a delicious distraction from the often-abstract subject matter. Multisensory learning makes concepts stick better, and experiential approaches open up the subject matter to a broader audience. CBA session facilitator Roop Singh notes, “combining climate data with food makes esoteric climate concepts approachable for everyone, not just the scientists”. And food-as-communication makes abstract concepts more personal: Colin McQuistan from Practical Action tweeted about the session: “Data cuisine session links between climate, culture & cuisine … stories of how food is central to who we are.”

Development and climate professionals are increasingly called on to integrate climate concepts and data in the work they do in and out of the field. In the Climate Centre’s work, a growing number of the emergencies, famines and other humanitarian crises are connected to extreme weather events, from droughts to floods and hurricanes. To communicate about complex climate dynamics in a way that inspires communities, practitioners, governments, and others to take action, the Climate Centre has been playing educational games with officials, creating collaborative art with residents of poor neighborhoods of the Peruvian capital, Lima, running animations and virtual reality to tell climate data stories – all highly creative approaches central to the Climate Centre’s work.

The invitation to “Taste the Change” was introduced at Paris’s COP 21 (the annual United Nations Climate Change Conference) in 2015. In that first foray into experimenting with using food to communicate about water intensity and livestock production, insect-based morsels, prepared by Senegalese chef Pierre Thiam, gave participants a multisensory experience. Throughout 2016, the Climate Centre worked with academics, journalists, chefs, museum curators, and artists to further push the bounds of creative communication approaches of climate data and climate change impacts around the world. At the COP 22 meeting in Marrakech, Morocco from Nov 7 – 18, 2016 the Centre organized two more Taste the Change sessions: a highly interactive one that dealt with the numbers-side of climate, and another that examined the role of storytelling in understand how climate is impacting how me grow, prepare, and consume food.

Mapping out the CBA session, we wondered: how could students from New York join the food system and climate conversation in Uganda and what could they contribute? In the frame of the Zero Waste Food conference on April 28th and 29th, twenty-five students from The New School Food Studies program participated in an afternoon-long workshop focused on designing experiences that could help the participants at CBA and possibly throughout Uganda better understand the consequences of weather pattern changes on the connections between agriculture, climate change, and food waste by using local ingredients, dishes, and practices.

A group worked on the animal sounds that traditionally signaled certain phases in the agricultural production now losing some significance, as animals adapt their behaviors to climate change. Others focused on need for fuel and the excessive exploitation of native plants that can provide edible products; on the use of solar energy to dry fish and the subsequent manufacturing of high protein content fish powders to add to meals; and on a Cutthroat Kitchen-like game in which the absence of necessary ingredients, reflecting the effects of climate change on food availability, would force participants to get creative in cooking.

CBA threaded together the lessons and experiences from Paris, Marrakech, and NYC Taste the Change. The result was 200+ global development practitioners, scientists, humanitarian aid workers, policy makers, and community members slowing down to deliberate adaptation approaches over food. Ideas and stories about food in culture, policy, and tools for resilience grew into an organic, informative, and creative discussion often missed out on with traditional presentations. Food will obviously continue to play critical roles in our cultures, communities, and lives. And we believe it will increasingly feature prominently in our conversations and policy processes around climate change adaptation. Get in touch with Ryvola@climatecentre.org to learn more.

Sponsored by the James Beard Foundation and the Food Studies Program at The New School, please join us for a lively discussion with the filmmaker Kathleen Squires, Mitchell Davis, Executive Vice President, James Beard Foundation, and Fabio Parasecoli, Associate Professor and Director of Food Studies Initiatives.

His name graces the highest culinary honor in the American food world today: the James Beard Awards. While chefs all around the country aspire to win this “Culinary Oscar,” many of those same chefs know very little about the man behind the medal. James Beard: America’s First Foodie chronicles a century of food through Beard’s life, combining celebrity interviews, archival footage, and whimsical animations in a rich recipe that reveals his impact, spirit, genius, and ever-growing legacy. Written and directed by Elizabeth Federici, the film is produced by Elizabeth Federici and Kathleen Squires. It is a co-production of Federici Films and American Masters Pictures.

ZWF_SocialSticker

 

Please join us for Zero Waste Food on April 28th & 29th!

Through panel discussions on sustainable kitchen design, creating new connections in the food chain, repurposing of materials and reuse of food waste, leaders in the field will discuss their best practices and how they are making changes. Cooking demonstrations and lectures by the country’s most celebrated chefs will teach you innovative techniques for creating delicious food from what would often be deemed waste. Elective hands-on cooking sessions, covering a variety of topics, will allow you the opportunity to discover real-world applications and connect with the innovators of our time in small groups of 12 to 24 participants.

Day One: Reimagine

Gathering our ideas and visions for a more sustainable future; learning from those who have made those visions a reality; thinking outside the box – these are the goals of the Zero Waste Food conference. Day one will kick off at The New School with two panel discussions followed by a keynote address from Massimo Bottura. We’ll break for lunch, then resume at the Institute of Culinary Education (ICE), where attendants will be invited to attend their choice of demonstrations and lectures. ICE will also host a variety of hands-on sessions throughout the afternoon. All attendees are invited to round out the day with a cocktail reception – an ideal opportunity to network with presenters and fellow attendees.

Day Two: Repurpose

By drawing upon ideas that have proven to be successful and sharing them with one another, we can adapt and strengthen our individual practices and make a meaningful difference. Day two will begin at The New School with two panel discussions. We will break for lunch, then resume at the Institute of Culinary Education (ICE), where attendants will be invited to attend their choice of demonstrations and lectures. ICE will also host a variety of hands-on sessions throughout the afternoon.

Please purchase tickets here!

Via KATJA GUIJTERS
Via KATJA GUIJTERS

 

We can learn something – actually quite a lot – about our culture by looking at how we imagine the future of food. Are we all going to starve, as Malthus prophesied back in the eighteenth century? Or will we find ways to feed the growing humankind? And what kind of resilience will we embrace? Will it be based on science and technology, or will it rather rediscover the ways of our ancestors? As Warren Belasco indicated in his masterly Meals to Come: A History of the Future of Food, these scenarios are far from objective and neutral. They are rather the expression of ideologies and political negotiations that are solidly rooted in our present and our evaluation of the societies in which we live.

As I have already discussed in this space, a relatively new voice has joined this conversation: food design. Design as a discipline is very much focused on the innovation we can introduce in our daily lives. As designer Todd Johnston observed, “A design marks out a vision for what can be; the act of designing is to move with intent to close the gap between existing conditions and that vision.” Back in 1999, design theorist Tony Fry famously considered design as a weapon against defuturing, that is “the condition of undermining viable human futures through our contemporary modes of habitation.”

As food becomes increasingly central in how we imagine ourselves and the world, it is inevitable that design expands its sphere of interest and practical applications to food. Food design, as the founding document of Food Design North America states, “includes any action that can improve our relationship with food individually or collectively. These actions can relate to the design of food products, materials, practices, environments, systems, processes and experiences.” The relevance of the reflection about what’s coming is highlighted in a Kickstarter campaign that is raising funds for MOLD: The First Print Magazine About the Future of Food.

Food Design, the book written by design critic Ed van Hinte on and in collaboration with Katja Gruijters, is a stimulating addition to this conversation. Its subtitle, “Exploring the Future of Food,” excludes nostalgia and luddist perspectives from being considered as effective tools to make our food system better. Technology is not considered an enemy, but rather a possible collaborator, even when it is not necessarily at the center of Gruijters’s work.

The volume follows a well-proven approach: an issue in food systems is identified and discussed, and then Gruijers’s projects dealing with it – directly or indirectly – are presented, illustrated by photographs of events and objects. Among the topics, we read about seaweeds, flowers and insects as underused sources of nutrition, proteins from plants, the need for surplus reduction in Western food production, obesity and health. While the narrative structure is quite effective in introducing many hot topics, the authors do not claim to have any final solution. They are actually quite self-reflective about it, musing: “Another weakness in some of our prophecies is that they themselves can cause changes. They can enhance conditions or hamper them.” Debating the future is, in fact, highly political.

Changing the way people eat, their preferences and their outlook is not supposed to be easy. Food design is not about coming up with quick fixes. Van Hinte and Gruijters underline that “it is important for designers and food providers to be aware that their work is never a one shot deal, certainly not when it comes to ecological interventions. Balance is not a fixed state.” However, looking for viable solutions does not necessarily mean renouncing pleasure. “The new field of food design is emerging as a way to shed light on the development of food values in terms of nutrition, enjoyment, and seductiveness to all the senses.”

Food waste inevitably looms large in the pages of the book. It has emerged as one of the most glaring problems in post-industrial societies, becoming increasingly unacceptable in terms of food justice, environmental impact, and long-term sustainability. For that reason, at The New School we decided to partner with the Institute of Culinary Education to organize Zero Waste Food, a two-day conference that will take place on April 28 and 29 in New York City. Aspiring to bridge the separation between theory and practice, the conference will connect academics with practitioners, designers, chefs, and the business sector through panels and hands-on application. We are particularly looking forward to the keynote address by Massimo Bottura, whose restaurant Osteria Francescana in Modena, Italy, reached the no. 1 position on The World’s 50 Best Restaurants list and whose non-profit Food for Soul aims to empower communities to fight food waste through social inclusion.

Japan Monthly Web Magazine
Japan Monthly Web Magazine

Growing numbers of consumers – especially among those with higher buying power, who enjoy the privilege of choosing what to eat – have shown interest for foods that are connected with traditions, specific places, and particular individuals. As a response to globalization and the industrialization of food production, the myth of authenticity has acquired market value and cultural currency in the culinary sphere. This trend includes national cuisines, embraced as important elements of collective identity and, not insignificantly, as tools to attract tourists and boost exports.

In recent years, following the requests from various countries that wanted their culinary customs recognized and highlighted, the United Nations Educational, Scientific, and Cultural Organization (UNESCO) has expanded an already existing category, the “intangible cultural heritage,” to include agricultural practices, food production, and traditions that are place-specific and derive their value from the unique connections between communities, their material lives, and their environments.

This push does not grow out of activism and associative networks in civil society, like Slow Food Presidia, nor does it have the same legal strength and immediate efficacy as Geographical Indications, based on enforceable national and international intellectual property regulations. As it relies on the involvement of national authorities, the registration on the UNESCO list of intangible cultural heritage is often a top-down initiative, embodying negotiations and decisions at the level of international institutions. For this reason, it is particularly important to gauge the modes of operation and the effectiveness of the category, although data are still limited due to its relatively short history.

Eric C. Rath’s book, Japan Cuisines: Food, Place and Identity, ( ) offers a well-informed and lucid critique of the government-led addition of the “traditional dietary cultures of the Japanese (washoku)” to the UNESCO list. Rath very frankly states: “the vague definition […] from Japan’s Ministry of Agriculture and other official agencies […] does not at all resemble either what most people once ate or what they consume today. Washoku is instead an idealized dietary lifestyle, focusing on food popularized from the 1960s onwards meant to impress audiences outside Japan and guide domestic eating habits.”

The author also points out that during World War II the Japanese government tried to establish a “national people’s cuisine (kokuminshoku) to standardize the diet, rationalize the use of scarce nutritional resources and put a positive spin on wartime rationing.” Such attempts were also taking place in Nazi Germany and Fascist Italy, for the same reasons and with the same goals. Although the recent additions to the UNESCO list derive from very different motivations, Rath observes that “national people’s cuisines are not objective descriptions of diets but are instead ideological, in that they present an idealized version of food to serve the interest of political and social institutions.”

These are relevant dynamics that, despite having emerged all around the world (and not necessarily in connection with the UNESCO list), do not receive the attention they deserve, tightly wrapped in the trappings of foodism, the fascination with traditions, as well as the appreciation for local and artisanal productions. For this reason in my upcoming book Knowing Where It Comes From: Labeling Traditional Foods to Compete in a Global Market (University of Iowa Press, August 2017), I go back to the first three registrations in 2010 (“Traditional Mexican cuisine—ancestral, ongoing community culture, the Michoacán paradigm,” “The gastronomic meal of the French,” and “The Mediterranean diet”) to assess the dynamics – both internal and international – that supported them and made them into examples that were soon followed by other countries.

Although rice plays a central role in the mystique of Japanese cuisine, historically it has been far from being the only, or even the most important grain, all over the country. Rath demonstrates that “rather than serving as a means to reinforce national identity, variations in rice consumption expressed inequalities of wealth and differences in status and gender, and differentiated rural from urban population, exposing some people to discrimination based on the quality, amount or absence of rice in their diets.”

If you are interested in rice and its global history, you should also pick up a copy of Rice: Global Networks and New Histories. Its editors Francesca Bray, Peter Coclanis, Edda Fields-Black and Dagmar Schäfer, have brought together specialists on Asia, Africa, and the Americas to question well-established narratives on how rice became one of the most important crops in the world both from the commercial and the cultural points of view. Rice’s complex entanglements with power struggles, trade, and the environment are unraveled and made clear. Although the book is not a light read, it constitutes an important contribution to food history, both in terms of content and dialogue among experts.

Eataly World
Eataly World

There is little doubt that increasing numbers of consumers around the world are showing enthusiastic interest for Italian food. Ingredients and dishes are featured in stores and restaurants, while home cooks familiarize themselves with regional traditions and culinary techniques. The 2015 Milano Expo reinforced the prominence of Italian gastronomy, stimulating producers, exporters, chefs, and even the Ministry of Foreign Affairs to promote the whole agrofood sector. One of the issues all the stakeholders agree on is the need to safeguard Italian products from what they denounce as counterfeits, which often are absolutely legal due to the variety of commercial and intellectual property systems worldwide.

A player that has definitely acquired a special status in the business of Italian food is Eataly. A few years after the opening of its first store in Turin, Italy, now the brand has become visible all over the world, with openings in Chicago, Seoul, Istanbul and São Paulo, among others. Inevitably, such a massive organization has also attracted a healthy amount of criticism, ranging from the prices paid to the producers to the carbon footprint that comes with the transportation of food around the globe, the freshness of the produce in some stores, and the curatorial choices regarding the items on sale.

Eataly is now getting ready for the next step in its expansion, but one that will put it on a potentially different trajectory. In the new park FICO Eataly World (FICO is an acronym for Fabbrica Italiana Contadina, that is Italian Farming Factory), opening near Bologna, Italy, in October 2017, the organization is bringing production to the forefront. The core idea is to make supply chains visible to consumers, educating them about food systems and biodiversity. Instead of just selling pasta, for example, the 20-acre park will include a small field where wheat will be grown, an artisanal mill and an industrial one, an industrial pasta factory and artisanal pasta makers. Different crops will be grown on the premises and live cattle, sheep, as well as other farms animals will enliven the outer rims of the park.

The focus will not only be on small, artisanal producers, which are central in the mystique of Italian food as an expression of culture and tradition. Eataly World will also showcase industrial production, as it plays a crucial role in the Italian economy. Forty of the more noticeable Italian companies have been selected by Eataly based on their engagement with the park theme, their willingness to share the risk of the financial investment, their capacity to sustain the effort in the long run and, of course, the quality of their output. Other smaller companies, supported by Eataly, will manufacture and sell their products, to make sure that the park offers a comprehensive presentation of Italian food in all its aspects.

Access to the park will be free, but visitors will have to pay to take advantage of the multimedia exhibitions, tastings, courses, and special events that will fill the calendar, also thanks to a conference center that can fit up to 1,000 guests. Of course, visitors will have plenty opportunities to buy products in 97,000 square feet of retail space, and to taste them in the 25 restaurants and street food stalls located within the park. The park is so large that three-wheeled bikes with baskets will be available to visitors, allowing them to shop around and then bring products back to their cars.

Eataly World, developed in collaboration with city and regional authorities, Slow Food, and Coop (a network of Italian cooperatives that operates one the largest supermarket chains in the country), is located in the wholesale market facilities that were built in the 1970s and immediately turned out to be too big for the city and for a distribution system in which big buyers such as supermarkets and institutions were already establishing their own purveying arrangements. The Agricultural School of the Bologna University moved into some buildings, while the rest is being gutted and renovated to contain the new park. A smaller wholesale market for the city has been built nearby.

Such a huge enterprise has ruffled many feathers in the town of Bologna. Demonstrators have protested the presence of such a behemoth, which some fear will affect small businesses and restaurants negatively. Eataly World argues instead that its presence will attract tourists – both Italians and foreigners – to the city. Although the mayor’s office fully endorses the effort, the locals still seem puzzled about what’s going on. Talking with restaurant and shop owners, cab drivers, students, and consumers in Bologna, it was clear that they had very fuzzy ideas of what the park will be, how many jobs it will create, and what its overall impact will be on the social dynamics of the town. As the construction proceeds, better local PR may be a long-term investment that could provide wider support to such a massive and innovative initiative.

Joanna Pruess, culinary historian and chef, and Kelsey Brow, curator at the King Manor Museum, present A Culinary Celebration of America’s Found Mothers: Martha, Abigail, and Dolley, a lively dialogue about the legacy of three of America’s First Ladies: Martha Washington, Abigail Adams, and Dolley Madison, and their friends. The event, which was sponsored by the New School‘s Food Studies Program, included a tasting of some recipes.

More than a century before New York women won the right to vote in 1917 (it took three more years for the country to ratify the 19th Amendment), some steadfast and intelligent wives stood alongside their husbands as our nation was created. Even without a ballot, they were an effective force in nurturing Colonial America. Woven into their biographies are details about what they ate, how meals were served, and sources for recipes, along with culinary innovations and insightful anecdotes about daily life and this new country. They reveal much of our history and even how we still eat today.

Via Food Tank
Via Food Tank

 

Food Tank’s most recent book recommendations…

Feed more than your belly this new year: Food Tank has gathered the latest reads for Winter 2016/2017, from the memoirs of an Asian-American peach farmer to the best manual for permaculture design. When Winter’s chill has you feeling gloomy, grab a book from the list below, and come Springtime, you could be ready to start your own sustainable garden, talk food policy, and help lead a food revolution.

For the complete list, please visit Food Tank’s website.