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Mussolini harvesting wheat

Food has become an increasingly visible arena where individuals, communities, and nations debate and define their cultural identity, their social standing, their political outlook, and their economic success. Crops turn into commodities on the stock market, while trade regulations determine the fate of entire regions. Public concerns and the debates that emerge from them range from health and nutrition to organic methods, use of GMOs, support of local producers, and labor issues, among others.

The common thread between all of these aspects of the food system is that so much depends on the power distribution among all the stakeholders involved. Who has authority to decide what and how we eat? The next Farm Bill, which will determine the future of food production in the United States, is expected to enter negotiations by 2017 or 2018 at the latest. So much of our well-being lies in the politics of food that it is time we really start paying attention.

The close relationship between food systems and power, especially in totalitarian regimes, is not a new phenomenon. The recent death of Fidel Castro has reignited debates on how his political directives had a profound impact on what Cubans grew, bought, and ate. A new book by historian Tiago Saraiva, Fascist Pigs: Technoscientific Organisms and the History of Fascism, dives into how fascist dictatorships of the twentieth century (Mussolini in Italy, Hitler in Germany and Salazar in Portugal) embraced agriculture and husbandry, as well as the technological advances in those fields, to increase their control over food production in their countries and the lives of their citizens, while expanding their power structures.

The three dictators all embraced the ideal of the “organic” nation, closely connected with its generous soil and its inhabitants, who were the expression of pure and superior races. On the one hand, this constituted the ideological basis for the introduction of new plant and animal varieties that were intended to increase yields and to support the efforts of the three regimes toward complete autonomy (or autarky, as they preferred to say). According to Saraiva, these were not “thin scientific objects isolated from society,” but rather they bonded “science, technology, and politics together in a continuum.” On the other hand, the faith in science and progress provided a justification for the three regime’s expansionist policies in Europe and in Africa, reflecting the long held beliefs in the civilizing mission of the white man that had been ideological backbone of colonialism since the fifteenth century.

The three dictators all embraced the ideal of the “organic” nation, closely connected with its generous soil and its inhabitants, who were the expression of pure and superior races. On the one hand, this constituted the ideological basis for the introduction of new plant and animal varieties that were intended to increase yields and to support the efforts of the three regimes toward complete autonomy (or autarky, as they preferred to say). According to Saraiva, these were not “thin scientific objects isolated from society,” but rather they bonded “science, technology, and politics together in a continuum.” On the other hand, the faith in science and progress provided a justification for the three regime’s expansionistic policies in Europe and in Africa, reflecting the long held beliefs in the civilizing mission of the white man that had been ideological backbone of colonialism since the fifteenth century.

Saraiva focuses his research on both the existing literature about the relationship of fascism to science and technology, and on the close examination of a wide array of administrative, scientific, and political documents. He concentrates on a few specific cases: the introduction of laboratory-selected wheat varieties in Italy and Portugal, as well as the diffusion of genetically-controlled types of potatoes and pigs in Germany. To illustrate the impact of technoscientific organisms in the colonial efforts of the three regimes, the author examines coffee, rubber, cotton, and sheep.

The book explains that despite all of the interest in rural traditions and the glorification of farmers as the foundation of the nation, the fascist regimes had no intention to move back to the past, striving rather to assert what Saraiva defines as “a utopian vision of an organic alternative modernity.” The new communal dynamics were supposed to work as an antidote against the negative aspects of modernity, such as individualism, the supremacy of international plutocracy, and international instability. Class tensions were replaced by corporatist organizations where field laborers, sharecroppers, small farmers, and large landowners were supposed to cooperate with scientists, distributors, and food industries for the common good. In reality, the landowners relied on the regime to impose their domination over the rural population and drain them of resources.

We will discuss these topics in the public panel Food, Power, and Politics, which will take place at The New School on November 29 as part of the activities around the exhibition of artist Roxy Paine’s Dinner of the Dictators. These dynamics are not only remnants from our past—they define the present of our food system and will determine our future as individuals and citizens.

Photo: Detroit Publishing, Library of Congress, Circa 1900
Photo: Detroit Publishing, Library of Congress, Circa 1900

By Fabio Parasecoli, Associate professor and coordinator of food studies, The New School.

When I was in Italy, last summer, I was intrigued by the growing popularity of what now Italians call “street food,” using the English language expression to indicate, well… street food. Cibo di strada, in Italian. Street food is definitely not a novelty. The dwellers of ancient Roman cities, for instance, were able to eat out of their home: they could patronize taverns or buy ready-made snacks and meals to go from all kinds of roadside stalls. As kitchens were absent in most buildings where the lower classes lived, acquiring cooked food was a necessity. Such customs thrived for centuries, reflecting changes in times, political dynamics, and cultural environments. I remember, growing up as a child in Rome, to see people frying what in the US are known as zeppole in big oil vats on the street. To this day, it is not uncommon to see kiosks selling porchetta, delicious pork roasted with herb and spices, sliced, and served in crunchy bread rolls. In summer, watermelon sellers hawk their goods on the city curbs, a Godsend in the hot Roman nights.

Side by side with these more traditional expressions, street food has found a new life in Italy. Entrepreneurs and creative chefs provide affordable and stimulating dishes that are inspired by the old ones, but often try to elevate them to respond to the preferences of their clientele. Their customers tend to be young and of the “foodie” conviction, always looking for affordable but intriguing flavor combinations that maintain some connection with the past, while using good, local ingredients. Healthier, safer production environments also increase the attractiveness of these new offerings. In fact, in Italy these days, street food – from takeaway pizza to fried rice arancini – is mostly sold not from stalls but out of small stores that enjoy a closer relationship to the street than regular restaurants. These eateries often have few seats available, forcing patrons to eat standing or to take away food. Some of the most interesting food in the Italy is now sold under this label. Gambero Rosso, one of the best known food and wine magazines in the country, has started publishing a Street Food guidebook, while websites such as Via dei Gourmet use street food as a distinct category, knowing that its users know precisely what they refer to.

The gentrification of street food, while overall embraced as a positive evolution of the Italian culinary landscape, risks pushing aside food providers that are not able to speak the same language as the popular upstarts or are not willing to change their product and their sale methods to attract the clientele who are ready to buy the new “street food”, with more originality, better quality, and possibly at higher prices. Such trends are also visible in the American landscape. Food trucks are enjoying growing success, as chefs and entrepreneurs consider them as viable alternative to brick and mortar restaurants, especially in cities where real estate costs are prohibitive. The food they offer is exciting, and they reflect the aesthetics and the communication modes of their clientele. It is not uncommon for food trucks to announce their locations on social media, and for their followers to look for them, wherever they are. The more traditional street vendors, those selling coffee and hot dogs, or the peddlers bringing fruits and vegetables of the curbs of disadvantaged neighborhoods, outside of the more glamorous background of the farmers’ markets, are often ostracized and treated quite differently, including by the local authorities and the police. As I have discussed in a previous post, the Street Vendor Projecthas been raising funds and working with underprivileged sellers and hawker to represent them in policy and administrative discussion.

We will discuss these changes and tensions at the New School, in a discussion panel on the history of street food in New York City. Street food has historically played a crucial role in the way New Yorkers produce, buy, and consume food. From carts bringing produce from nearby farms to immigrant vendors providing traditional foods to their community, and later to the city at large, food has always been present on the streets. The panel will explore the past and present of street food in NYC, looking at culinary elements, culture, and the evolution of policy regulating the way New Yorkers were allowed to sell and access food in public spaces.

pierreforinquisi

Thursday March 31, 2016,  6:00 to 7:30PM

The New School
Starr Foundation Hall, University Center
63 Fifth Avenue, New York, NY 10003

As cosmopolitan gourmets continue looking for the next new trend, many culinary traditions around the world are just now drawing the attention they deserve. West African cuisines are finally acquiring visibility, thanks to their interesting ingredients, their complexity, and their long history.Chef and restaurateur Pierre Thiam, author of the successful cookbookSenegal: Modern Senegalese Recipes from the Source to the Bowl, will discuss the unique food culture of his native Senegal – as well as the influence of African practices and dishes on the development of American foodways – with Fabio Parasecoli, director of Food Studies Initiatives at The New School.

The conversation will also explore the diffusion of West African cuisines abroad and the problems they face, from product availability to business challenges and customers perception.

Following the discussion, the Symposium in the Drum: From Africa to the New World | Randy Weston Artist-in-Residency, will perform traditional Senegalese music upstairs in The New School’s Tishman Auditorium at 8:00pm. Admission free.

Sponsored by the Jazz and Contemporary Music Program in the College of Performing Arts and the Food Studies Program at the Schools of Public Engagement.

To attend, please register here. This event has no entry fee.