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In this next special issue from the Inquisitive Eater, our contributors dive into the meat of their best and worst experiences with dieting and diet culture. As writers, we are naturally vulnerable, constantly opening our minds and our hearts to new ideas, new inspirations, new muses. One of the most vulnerable topics a writer can tackle is their relationship with food.

As much as we adore all things food-related—and trust us, we do—dieting and diet culture hold too big a weight in our society to go unnoticed, undiscussed, especially in the age of advanced technology, when social media takes your biggest insecurities and puts them right in front of you on a tiny screen, and commenters viciously debate whether this person is too thin, or that person is too fat. Diet culture is an inescapable feat in the twenty-first century; if you haven’t encountered the consequences of being shamed for your weight, your size, or your eating habits, you probably know someone who has.

This topic is especially prevalent so early into a new year—the beginning of January is often riddled with resolutions to eat better, go to the gym, lose weight, and any myriad of other list items that contribute to any given person looking as society would deem them to. Often, these resolutions are abandoned with months, even weeks, because they are made solely out of self-hatred, not out of a genuine desire and hope for an improved well-being. The editors of Inquisitive Eater have shared in these feelings, too, and as creatives, one of our only outlets is to let our work do the talking, and hope, just maybe, that the right people are listening.

Thankfully, we aren’t alone in speaking up. Body positivity is a growing movement supported by TikTokers, plus-sized models, and a myriad of other influential people in pop culture—even as recently as the famous Barbie monologue people just can’t get enough of. We see this issue as an opportunity to add our thoughts—the thoughts of our editors and of our contributors—into the ongoing conversation about diet culture, but we hope and believe the conversation will not end here.

If nothing else, the Inquisitive Eater is a place where you, too, can share your story about your relationship to food—be it good or bad. This issue is a special highlight on the importance of those stories, one that will scratch the surface of the topic, and we hope you leave it inspired and secure—in your stories, in your bodies, and in your diets.

Best,

Brianna Lopez and the editors of the Inquisitive Eater

FORGOTTEN PALMS

Kudkuran
is the Philippine name
of a low
wooden bench for coconut
grating, apparently
kudkud means “scratch.”

The first time I saw
my mother’s mother
seated, grating coconuts
I was astonished
she could squat
that far down.

I remember being shamed
at my first job in NY
for buying coconut juice
at the first-floor bodega
Too ethnic
they must have thought.

I remember “forgetting”
lunches Mom made
me in middle school, saving
a whole week’s worth of baby
sitting for a single
scrap of pizza.


LAST MEAL IN VEGAS

A mobster smacks into fate
nnnnnn somewhere between
transplanted palms
nnnnnn and a pool labeled Mid-century Modern

Show’s over, compadre…
Clickety-clank snap.

Hawks overhead, lizards below
nnnnnn part of him
now mirage, transmits between dirt
nnnnnn and gold, calculating

Which decision is safe—
vanilla or red velvet cake?


Judi Mae “JM” Huck is an Asian American poet and teaching artist currently based in Las Vegas, Nevada. JM is passionate about community engagement. In 2023 she co-founded WeWrite! (wewritelv.com) to offer generous support for emerging AAPI writers to develop their craft. Huck’s poetry synthesizes her understanding of culture, history, nature and science.

Let us munch on murgh biryani
or a tray of well-made mandi
sip some sour Turkish ayran
top it off with date-based candy

Grills, you gotta wrap them snugly –
in tandoori naan-afghani
add a raita, try a bite o’
barfi à la Hindustani

Start a food tour from yum Turkey
pass through Egypt and Beirut
land in Dubai, on to Mumbai
for falooda filled with fruit

Pulao, machboos, taht-el-jeder
dashing dishes – do them all
allied with some aloo methi,
plus a tad of desi daal

Aish and roti, khubz and sangak
fava beans with thick tameez
hearty hummus, rich as humus
coal seared lumps of goat-milk cheese

Mirch is merch for pepper lovers
can you take the heat of chilli?
one fun flake of fiery filfil’s
sure to leave your taste buds silly

Crave a beef-based Gulf hareesa
or Iraqi rice-stuffed koosa?
the Levant has sweet harissa
which in Egypt’s called basbousa

Fenugreek and racy spice
Roz-bej-jej from Lebanon
juicy sides of jasmine rice
Butter-chicken-baptised naan

Slabs of tah– plus –deeg or –cheen
kabab barg arrayed on chelo
one blue bowl of mast-o-khiyar,
cap the meal with chai or helo

Brew a batch of pitch-black gahwa
proffer cups with your right hand
furnish guests with heated halwa
spicy karak on demand.


Wael Almahdi is a poet, translator, and healthcare professional from Bahrain. In 2023, he won a High Commendation from the Stephen Spender Poetry Translation Prize. His Classical Arabic translations include work by Lewis Carroll (‘Jabberwocky’), Carl Jung (‘Seven Sermons to the Dead’, as yet unpublished), and Hanan Issa, the National Poet of Wales. His poetry has appeared or is forthcoming in ArabLit Quarterly, Copihue, Snakeskin, The Knight Letter, The Raven’s Perch, Ekstasis, Blue Minaret, The Ravi Magazine, and Beletra Almanako.

Susan and I were coming home from the theater, walking up Lafayette toward the Astor Place subway, when I saw the sign a hundred feet in front of us, glowing in the dark. The smooth, round logo, gently leaning forward. Letters so familiar, but in that location strange. 

Just a month before, the building on the corner was still the boarded-up shell of the old Kmart, surrounded by gloomy scaffolding, the ceaseless churn of New York City real estate. Maybe it was a hedge fund, an insurance broker, or a gallery for the guy who never stops taking pictures of his dogs? So, I said it out loud because I didn’t trust my lying eyes.

“That just can’t be a Wegmans!” 

Susan said, “What’s a Wegmans?” 

How could I possibly describe to her this fabled place, this grocery utopia, whose mystique was perfectly captured in an online comment when, unbeknownst to me, the Astor Place store opened in lower Manhattan in late October 2023: “I feel like I’ve walked into a party where everyone is on E except me.”

So, I kept it pretty simple. “It’s a family-owned supermarket that’s been around for more than a hundred years, with a very loyal following.”

“Like Whole Foods?” 

“Oh my God, no! Nothing like Whole Foods.” 

She wanted to go in and see for herself, so we did, but at first glance, it was disappointing—a cavernous hall with islands of take-out in plastic containers and almost no one inside except a security guard and a couple of workers.

I wondered if it was a smaller, metropolitan version of Wegmans, like the pocket-size Targets that had been springing up around the borough in recent years. So, I asked a store employee who was wiping down an already gleaming stainless steel display case if this was really a Wegmans, selling, you know, regular food, like spaghetti sauce and pasta?

He looked at me and grinned—not a New York thing to do—and said, “Why, of course! It’s downstairs.” 

Susan would have gone, but it was getting ready to close. 

“I’ll fill you in on the way home,” I said as we boarded the No. 6 train at the station. And I meant to. But once we found our seats in the crowded car, I realized it wouldn’t be that easy. Because in order to explain Wegmans, I’d have to tell her about Adele.


The first time I ever set foot in a Wegmans was when Adele moved into a retirement community in Allentown, Pennsylvania, after she got sick in 2015, the same year my mother died. When she recovered, her kids resettled her there to be close to her oldest daughter, which worked out well for Stan and me since it was an easy drive from New York. 

As we emailed back and forth, she told us to stop at the nearby supermarket to pick up lunch. And weren’t we lucky? she said. It was a Wegmans. Not knowing what we’d find there, out in the hinterlands of central Pennsylvania, I brought her a bag of rugelach from New York. First of all, because Adele loved rugelach. But also because, as a friend of mine once told me, Jewish pastry is the correct food in times of suffering. Later, I’d find out that among the 70,000 products that the typical Wegmans carries in its hundred-plus stores, the one in Allentown did indeed sell the snail-shaped Jewish pastry—maybe not as good as Zabar’s, but certainly not bad.

That day, we bought the most ordinary of things—turkey sandwiches for her and Stan, a chicken Caesar wrap for me, and sides of coleslaw, potato salad, and cut-up fruit—because that’s what Adele wanted. Yet somehow, it all seemed extraordinary. Everything was clean! Everything was bright! All the workers were preternaturally friendly! 

As I wandered the aisles, trying to get my bearings, I was suddenly overcome by other supermarket memories—of trailing along behind my parents in the aisles of Davis Supermarket in Greensburg, Pennsylvania, fifteen miles from our house, where they did most of their grocery shopping because it had better-quality brands than the stores in Mount Pleasant. 

I would watch as they confidently plucked items off the shelves—capers, white asparagus, Le Sueur Very Young Small Sweet Peas, and the tubes of anchovy paste that my mother would mix with cream cheese to make a roll-up hors d’oeuvres that I’d pass around at parties. How did they even know where to find all those things in the jumble of colorful jars and cans? Their expertise was astonishing. 

To this day, I believe I absorbed my most enduring education, all my beliefs and values, in the aisles of Davis Supermarket. Because that’s where I learned that we were different from other families. That my parents had unusually good values and refined taste, shunning the junk food that everyone else piled into their carts. 

Oh, how I adored them! But it was an uneasy, anxious kind of love, contingent, I always thought, on having a certain kind of knowledge, on liking the right things. Years later, when my life was turning to crap and I couldn’t see my way past getting stoned as soon as I rolled out of bed, I took a strange sort of comfort in knowing exactly where to find the white asparagus in upscale food markets, and what to do with capers.

By contrast, loving Adele was easy. Except for the jar of black caviar that she put out at her annual New Year’s Day open house, she ate what the rest of America ate, prepared in her 1950s-era kitchen that she never bothered to update. Till the very end, it had maple cabinets, a linoleum floor, and a chrome-and-Formica table reminiscent of Happy Days.


Adele was my mother’s best friend, her Sunday New York Times crossword puzzle partner, and the former superintendent of the Tree of Life synagogue in the little town in western Pennsylvania where I grew up. In my earliest memory of her, she was standing at the front of our beautiful old sanctuary, light streaming through the narrow, stained-glass windows, explaining to all the children the difference between ethics and morals. 

I didn’t quite grasp the distinction at age six, but I knew that both were important to being Jewish. She didn’t work at a paying job outside the home until her husband, Hershel, was killed in a car crash when she was forty, leaving her to raise three kids on her own. 

For a long time, she was the “bad” mother in my life. When she’d drive down to see us at the Jersey shore, she’d arrive with a basket of Bloody Mary mix, her special recipe for three-bean dip, and a party-size bag of Frito Scoops. She smoked cigarettes on the porch and never set foot on the beach, unlike my mother, who did three-mile power walks at dawn. Adele and I and sometimes my younger sister Rachel would make our annual pilgrimage to the Country Kettle for fudge and the Crust & Crumb Bakery for—what else?—crumb cake.

When I finally got my act together and decided I wanted to be a newspaper reporter, Adele also became a mentor and best friend. She didn’t know anything about journalism other than what she absorbed from CSPAN and CNN, but she knew my history better than any career counselor. She’d watched me grow up and go from dutiful daughter to parental scourge, veering wildly between censure and silence. Yet she never judged me.

She also knew all about having to reinvent a new life for yourself. After Hershel died, she went back to school and earned a master’s in education, eventually landing a big job in vocational rehab at the Pennsylvania Labor Department. She built a whole new dating life for herself, becoming a fixture at the happy hours at Nino’s, the first fern bar to open in our area. There, she’d nurse a single Bloody Mary all night because she was one of those Jews that didn’t really drink but liked to hang out in fun places where she might meet sexy men. I always sensed she was a very lusty woman, like a Jewish Wife of Bath, though we never talked about it in great detail. She was, after all, my mother’s best friend. 

Her office was in Johnstown, an hour by car from Mount Pleasant, and during those long drives, she’d tune in to Rush Limbaugh. I remember asking her, “How can you listen to that crap?” And her saying, “I want to know what the other side is thinking.”

My family moved away from Mount Pleasant for good after my dad died—my mother to Pittsburgh, the five of us scattered across the country. But Adele stayed on in her little red brick house at the top of Orchard Hill Drive long after her girls were grown—until she got so sick, she ended up in the hospital, even missing my mother’s funeral. 

During those years, my younger brother Robert used to stay overnight at her house if he had business at the family furniture store. Sometimes, he’d show up after she’d already gone to bed. The door was never locked. In the morning, she’d make cheesy eggs with sautéed onions and grated cheese. She’d always be working on a big puzzle in the living room.

Rachel used her house as a sanctuary, too, stopping by on her way to and from the ski slopes in the mountains. When she arrived, hands and feet blue from the cold, Adele would serve cinnamon toast fingers with Swee-Touch-Nee tea, the favorite brand of Yiddish-speaking immigrants because it reminded them of the strong black tea they drank at home. 

Rachel said that Adele gave her the best life hack ever: put things back where you found them, and you’ll always find them again.

Once, for a conference, she flew out to San Diego, where I had a job at a mid-sized paper. We had dinner at a fancy restaurant at the top of a downtown skyscraper, ordered Black Russians, and watched the planes land at Lindbergh airport. I told her I was discouraged about ever moving up to the next rung of newspapers, but she said to never give up and keep sending out clips. 

That night, she told me that women always look more put together when they wear a turtleneck underneath their blouse. She also explained how she lost seventy pounds over ten years: she ate whatever she wanted, but half the amount. In all that time, she never gave up her beloved Miracle Whip, Reese’s peanut butter cups, or Land O’Lakes butter, which she slathered on everything.

Rachel and I used to marvel at her self-confidence. One day, she shared that secret, too: “I know I’m a short, dumpy, homely Jewish woman, but my father always told me I was the most beautiful girl in the world, so I walk around thinking of myself as a 6-foot-tall curvaceous blonde.”

I loved the way she embraced her routines. Monday was shopping; Tuesday, a manicure; Thursday, her hair appointment and CSI. On weekends, she’d have breakfast with her neighbors, alternating between Bob Evans and donuts. It was best not to disturb her when she was watching Jeopardy!

Right before my mother died, Adele called me with some news. 

“I saw your mother,” she said. “She’s not angry with you anymore.” 

I was embarrassed to be reminded of our long, fraught history, so I just listened quietly as Adele, knowing that it had been their last visit, reminisced. 

“Your mother was so good to me,” she said in her rich, slightly nasal voice. “But she couldn’t start her day without first making a BM.”

Two weeks after she died, Adele called me again. She told me in the most plain-spoken voice that my mother didn’t like the fact that I went my own way, made my own decisions, had my own life. I was stunned by her candor, grateful for her support, yet felt the tremendous need to justify myself. 

The words just tumbled out. “I was in so much pain, I was so unhappy, did so many dangerous things, was treated so badly by men, was so lost and confused…”

“We all were,” she said.

When I heard that, I gripped the phone even tighter.

“But it didn’t seem that way. You all got married, had kids—you did things.” 

“But we were. Even your mother was.” 


In the last few years of Adele’s life, Stan and I would drive out to see her as often as we could. She’d managed to pare down a lifetime of belongings acquired over more than fifty years in Mount Pleasant to just what could fit in her long, narrow 12-by-20 room. When her kids sold the house on Orchard Hill Drive, they offered me her chrome-and-Formica table, but I had no room for it in a Manhattan apartment. 

During the fateful election year of 2016, her TV was always on when we arrived, tuned to either CNN or Fox News—again, because of her maddening-to-me tendency to want to know what the other side was thinking. (I didn’t.) Then, in early 2017, I found out that Wegmans was No. 43 on a list of companies to boycott because it sold Trump-branded wine. 

I emailed my brother, “What are we going to do???”

He told me to keep shopping there but write a letter of formal protest with a copy of our most recent receipt. “Let them know it will be the LAST time we will be purchasing from them unless they drop the line.” 

Then I asked Adele what to do. Maybe because she was in her eighties, because her mother had survived a pogrom, because her father had been a refugee in Cuba, because she’d been widowed at age forty, or because, as a longtime precinct worker in the Third Ward, she’d watched Mount Pleasant and Westmoreland County go from blue to red without ever losing a friend—Adele said, “Go to Wegmans. Everything will be okay.”

So, we did, returning again and again for our usual meal, every now and then splurging on Oreo Thins or Sun chips, two items Adele adored.


The last time we saw her, Stan and I met my brother and sister-in-law at the nearby Wegmans to shop. Adele’s daughter had reserved a little room off the big dining room for us, and the manager brought us drinks, plates, and silverware. This time, we got her a pint of chicken soup, and she snacked on Sun chips and Italian ice.

She was wearing a silky blouse and white stretch pants, moving around the facility quickly and gracefully on her walker. Back in her room, where she kept a framed photo of her late husband and also one of the Obamas on her dresser, she told us she wasn’t afraid to die. She wanted to see Hershel again.


I could have told Susan all of that on the ride uptown. But I didn’t. As the doors slid open onto the platform at 86th Street, I simply said, “Next time we’re in Astor Place, we’ll have lunch there, and you’ll see for yourself.” 

But if she had really pressed me, if she had insisted on knowing everything the store meant to me, I would have said, “Wegmans is goodness. Wegmans is kindness. Wegmans is love.”


Ann Levin is a writer, book reviewer, and former editor at The Associated Press. Her creative nonfiction has been published in Sensitive Skin, Southeast Review, Hunger Mountain, Mr. Beller’s Neighborhood, The Main Street Rag, Porridge, Bloom, and many other literary magazines. She has also read her personal essays on stage with the New York-based writers group Writers Read. You can find her at annlevinwriter.com and follow her on Instagram and X @annlevinnyc.

Sunday: Blueberry

Ingredients

  • Butter for pan
  • 1¼ cups milk
  • ⅔ cup sugar
  • 3 eggs
  • 1 tablespoon vanilla extract
  • Pinch of salt
  • 1 cup flour
  • 2 overflowing cups of fruit, especially berries
  • Powdered sugar

— Adapted from Mom, adapted from Julia Moskin, adapted from Julia Child

Spongy and solid, clafoutis exists somewhere between a pancake and a flan. A quick measuring of ingredients and a whiz around the blender, and it’s into the oven. Whether I feel like a degenerate or a failure, clafoutis transforms me. 

I can be any type of woman when I cook clafoutis: city, layering the batter and fruit in a scallop-edged ramekin; prairie, pouring the ingredients into a casserole dish; minimalist, sprinkling the traditional black cherries into a cast-iron. In other words, I can be a woman who is neither heartbroken nor unemployed. A woman who can nourish and clean up after herself. 

We took Grandma to a lakeside house in southwestern New York to calm her down. (Typical of Mom and Dad to think nature could tranquilize. If anything, nature ignites.) Grandpa had spent the summer in and out of hospitals with heart troubles, an occurrence that constantly irritated her. Where’s that stupid man? Where am I? What am I doing here? Her tornado of questions mirrored the ones circling my own head. Even if I could answer them, I was just as likely to ask them again five seconds later.

We learned about clafoutis on Sunday. By Tuesday, we’d memorized the recipe. 

On Thursday, we had cake, but we all secretly wished for clafoutis. 

Blueberry, raspberry, pear, cherry. Summer’s best, at the height of its season. We transformed the offerings into gooey, sugary, simple goodness. 

It’s not a recipe, it’s a miracle.

It’s not a dessert, it’s a lifeline.

By the weekend, an assemblage of eggs, flour, and fruit had become a reason for living.


Monday: Raspberry

Step 1: Heat the oven to 350 degrees. Butter a cast-iron pan.

WiscoCooks

6 years ago

I checked the original recipe, the one referenced in the article, and it’s substantially different from this one (more berries, less sugar…) so don’t blame Julia Child if it doesn’t work for you. This isn’t her recipe.

714 people found this helpful

Clafoutis originated in France’s Limousin region. The name comes from the antiquated Occitan verb clafir—to fill—and speaks to the cool low-maintenance je ne sais quoi of the dessert. Just whisk together pantry ingredients, invoke the heavens, and stuff it with fruit. (But stuff it only in the understated way the Parisian stuffs flower vases or pain au chocolats or Levi’s 501 jeans.) 

“The clafoutis is only as good as the fruit,” Mom told me. (Zero people found this helpful.) She dropped roadside raspberries one by one into the eggy mixture—with a little extra flair, for Grandma’s spectatorial amusement. 

A fly followed Grandma around that Monday. I sat on the top of the stairs and watched her play cat and mouse with the insect. She’d curse out the “bloody buzzer” and swat at anything near her in an attempt to end its life. She recruited our dog, Maple, for help. “Dog, are you my dog?” she whispered, thinking no one was watching her. “We’re going to have to get rid of you, dog. No one knows who you are. There, behind you!” It was much more entertaining than watching my inbox fill with rejections and my voicemail remain empty. As I saw the fly quite literally slip through her middle finger and thumb, I wondered whether my life might be easier if I didn’t have my own army of flies, always on my perimeter, threatening to take me away.


Tuesday: Cherry

Step 2: Blend milk, 1/3 cup sugar, eggs, vanilla, salt, and flour until airy.

I had to cover the community writing contests, as a favor, without compensation, for the local paper. This involved one long afternoon chasing down teens in the neighborhood to discuss their victories and budding literary careers, a difficult task for someone struggling to live one’s own writing life. I asked kids between the ages of three and sixteen what the “esteemed award” meant to them and if they’d be so generous as to explain the “deeper meaning” behind their work. What inspires you? From where do you get your ideas? Nature! The lake! Everywhere! My family! And, I dunno, they just, like, come to me! What do you hope to inspire in the people reading your work? That life is full of possibility! That all you need is love! That nature has all the answers! I offered joyless congratulations to the six-year-old whose poem about protecting the lake from algae blooms won a $100 gift card, more money than my creative writing had ever earned. I wondered what had broken inside of me, and why the clafoutis hadn’t fixed it. 

EB

6 years ago

The negative comments are quite overblown and questionable. This recipe works fine as it is written here. If you want to reduce sugar, obviously that’s fine too. 

323 people found this helpful

Gina invited me to go boating. She was the only friend I knew who lived in the state. Gina was also newly divorced—she’d secretly married two years earlier but had to break it off when she accidentally implicated her parents in tax fraud—and I missed her “divorce party” two nights prior. (Apparently, there was a shark piñata.)

Day-drinking is a special kind of marathon. This was no civilized debauchery, this was day-drinking with summer lifeguards. With twenty-year-old’s and not-quite-twenty-year-old’s. With young, slim, tan, fit bodies. With fresh livers, more prepped and primed to the effects of alcohol. With athletic, enduring souls more open to love than mine.

And this was not day-drinking on land. This was day-drinking on water. On boats. A “flotilla,” Gina called it.

I said yes. 

In memory care, there is one approach inspired by improvisation, the idea being that advanced dementia patients are constantly responding to new truths about their surroundings, constantly adapting to new information about the realities of their situations. Unfamiliar backstories must be accepted as fact, and strange—even otherworldly—ideas must be incorporated into what you know with speed and generosity. People often describe dementia like living in the dark, senseless. In some ways, I think Grandma would find darkness easier to manage. It’s the chaos, the unpredictability, that requires her greatest imaginative efforts. I try to adopt the same flexibility of mind and spirit in conversations with her, and sometimes, in stressful situations in life. Which is why I helped load up two jet skis with a trove of pretzels and trash bags and mounted the aquatic vehicle with someone I couldn’t remember but who definitely remembered me.

We were off. I kept my gaze on the sight of my hands, rouged from pressure, clenched to the yellow straps.

The flotilla consisted of ten boats, floats, yachts, and seaplanes tied to each other. I watched a few men (boys) sauntering through the ropes and sails, checking the tightness of the knots, over and over, one after the other. Sip, check. Sip, check. Slap. Bodies hopped in and out of the lake, somersaulting and sashaying from boat to boat, water to boat, boat to water. It felt like Cirque du Soleil, magic trick after magic trick. People took turns back-flipping onto jet skis and vrooming around the flotilla, splashing the perimeter in lake water, causing everyone to scream and shout. I was much less flexible than these people—who I overheard discussing such trivial pursuits like what to major in and the best bikini-waxer north of the Pennsylvania border—and paler and older and even, somehow, despite the jet skis, drier. Their swimsuits were neon and jeweled; my sun-faded one-piece was bought for me by Mom seven years ago. I sought out Gina (and her cooler of liquor). We kissed hello. I poured plastic-bottle gin into a red cup, stabbing a lime in the bottom and licking my fingers with the bitter-sour juices. 

Verbocity

6 years ago

IS IT FLAN? 


Joan 

5 years ago

Please stop calling this, and confusing it, with flan. Flan is cooked in a water bath and has a coating of liquid caramel. Flan is like custard. Clafouti[s] is similar in batter and cooked form to a very dense cake.

6 people found this helpful


Wednesday: Leftovers

Step 3: Pour a thin layer of batter into the pan.

On a small burner, cook until a film of batter has set in the bottom. Remove from heat.

In her semi-autobiographical novel The War: A Memoir, French Resistance writer Marguerite Duras describes a woman carefully assembling the remaining food rations to cook her husband a clafoutis upon his return from the war. When he arrives, she discovers he is too weak, too malnourished and exposed, to eat it. 

I spent the day in bed. I’m told a team of young men carried me to my house, where my sisters undressed me, washed me, tucked me in. Counted my breaths. I’m told my sisters switched between undressing me, undressing Grandma. Washing me, washing Grandma.

My appetite, completely gone, did not allow me to partake in leftover clafoutis. I licked the salt off a few Goldfish. The room spun. Maybe from the boat, maybe from the gin. Maybe from the dizzying sense of emptiness.

From my darkened bedroom, I overheard Grandma present Linnea with a simple question.

“Who is that girl?” she asked, referring to Natalie.

“That’s your granddaughter, Natalie,” Linnea said. “She’s my sister.”

“So that’s not the girl with the problems.”

The clafoutis had failed. The reliability, the consistency, the stability. Everything generations of French grandmas promised me about the peace I could find from beating eggs and flour in the comforts of the kitchen were lies. 

I felt the outlines of panic all around me.


Thursday: Birthday Cake

Bonne note: clafoutis sinks as it cools.

Do not be alarmed – learn to expect some deflation in life. 

Historically, 19th century French cooks folded whole cherries into the clafoutis—peels, pits, and all. The stone hearts contain benzaldehyde, the chemical responsible for flavoring almond extract. They also contain traceable amounts of the cyanogenic glycoside known as amygdalin, which releases cyanide that can be toxic if consumed in large quantities.

I woke up Thursday morning, heart racing, head spinning, thoughts already spiraling, like there was no moment of waiting in-between inhale and exhale, in-between the waking mind and the sleeping brain. I couldn’t move. Natalie, Linnea, and Mom crowded around me as I clamped up, frozen like a dead fly. They massaged my hands as I lay, stuck, steeped in sweat. Dad stayed downstairs with Grandma.

Mom’s solution in times of crisis has always been domesticity. Natalie and Linnea spread newspapers across the kitchen table so we could paint used yogurt cups, transforming recycled glass into votives. Mom threw on her apron and helped me change into new clothes, just as she helped Grandma dress that morning. She washed my hair in the sink, massaging my scalp. “I ruined your birthday,” I said to her while she combed back my wet hair, layer by layer, taking as long as possible to finish her task. 

“I’d wash your hair every day,” she said, “if you’d let me.”


Friday: Pear with Raisin

Step 4: Sprinkle fruit over the batter, along with the remaining 1/3 cup sugar.

Pour the rest of the batter over top. Smooth edges.

Bake in oven for ~50 minutes, until top is springy and golden.

Mom set me up at the kitchen counter with a cutting board, knife, peeler, and four pears. 

Grandma, having one of her better days, asked us what we were making. She complimented “my daughter” on her measuring skills as Mom tapped the cup with flour against the granite. Then, pointing to me, said, “You must be so proud of her. She looks just like you.” I fit each pear strip into the clafoutis like it was a game, making sure no raisin or pear touched, making sure every bite bore fruit.


Saturday: Onion

Step 5: Dust with powdered sugar. Serve lukewarm.

The plumpest flora could not save me from my wreckage. But the process of making the clafoutis still felt sweet. I diced the onions for this experimental side dish. Once we were home, I would try therapy. And later, antidepressants. Grandma would see “my husband,” although sometimes she called him “my father” or “my boy.” The family would try clafoutis of zucchini, butternut squash, rhubarb, cauliflower, potato. Summer would turn to fall. Berries would turn to root vegetables. Dry, hard, crinkled orbs that would remind me of my grandma’s mind. 

I whisk, with the meditation: one day, I’ll eat clafoutis and only taste the sweetness. 


*Bold text are comments from New York Times Cooking’s online recipe “Julia Child’s Berry Clafoutis”


Emma Francois teaches first-year and fashion writing at George Washington University and American University where she also earned her MFA in Creative Writing. Her journalism, fiction, and essays—about art, the environment, and love—have appeared in numerous publications including The Citron Review, Golf Digest, Washington City Paper, USA Today, and The Chautauquan Daily.

An Ode

She is work horse, single driven.
She is manifest. She is whalebone and
beating heart behind a chicken breast.
She is laced, with coral lettuce, frilled.

She is bread, white toasted,
one slice soft, the other roasted.
For the squish and the crunch,
what they call the salle hard and soft.

She is mayonnaise – cold spread.
Tomatoes.

She is capers. She is the onion.
A toothpick if you want more,
later on,
retrieved from teeth,
remembering, the above you’ve tasted.

Salivate.

As I have done.
Hearing the word ‘lunch.’
Fall on said pointed petard.
Then, carry on.

She is stacked, don’t the mind the fries –
gone soon they’ve finished oiled hiss.

For She,
she is a work horse
(I never
use the whip.)
She is stable, nourishing, a
Favored Pumpernick.

And I forever hungry, seeking,
Sing odes
Of condiment!

For the mayo, and
What
Lucky sandwich
She bestows her gifts.


SARA BARNETT is a writer, actor, and foodie. With a new short story soon coming to IAMB LIT and several poems appearing in current issues of INDELIBLE LIT and REAPPARATION JOURNAL, “For the Mayo” is her first ode to a condiment. For a full list of publications as well as other creative exploits, feel free to check out more at SARABARNETT.NET.

“Beware of false prophets, who come to you in sheep’s clothing, but inwardly are ravenous wolves.
You will know them by their fruits.” (Matthew 7:15-16)

Thus begins Jacqueline Alnes’s memoir The Fruit Cure: The Story of Extreme Wellness Turned Sour. Through research and her own story of falling for an all-fruit diet as a college athlete with a neurological illness, Alnes tackles the pitfalls of the healthcare system, challenges the language of wellness culture, and addresses the dangers of being chronically online as an impressionable youth. The Inquisitive Eater was fortunate enough to speak with Alnes over Zoom about her book, diets, and everything in between.


When people think about diets, they usually think about food and physical health, but I wanted to start off by asking if you have a diet for mental health, as in, what do you consume for self-care?

That’s a great question. I think food is so emotional, which I think is partially what comes up in the book—you can start to assign value to food. And I think, obviously, as I wrote about, that can become dangerous. But I think the question you’re asking is much more fun, which is food can also be this source of joy or comfort. For me, there’s so many; I love food.

I am obsessed with matcha latte every Tuesday and Thursday because I teach for eight hours straight. I don’t think it’s so much physical as it is, “I get a treat at a certain midpoint,” and then that carries me through the rest of the day. Keeps me cheerful.

My grandma used to make chicken soup, and sometimes they make that, and that feels like a way of remembering someone, even if it’s not about the food itself.

I make cookies a lot, so I have a lot of memories of friends eating my cookies, or myself eating my cookies.

Aww, that’s really sweet!

When I was looking at your website, I noticed that each page has a different fruit in the background. “Writing” has dragon fruit and lychee. Was that a symbolic choice, as in, do you think that your writing is about unveiling your inner self, or if you could pick a fruit to symbolize your writing, what fruit would you pick?

Oh my gosh, that’s a good question. I’ll say the website is mostly just for aesthetics.

I don’t know if I’m drawn to this because it’s my favorite fruit when it’s good, but jackfruit. I love it. On the outside, it’s sort of unassuming, gigantic, a little bit spiky. But then you open it up, and there’s all those pods—endless rows of pods. I feel like that’s how writing is for me where you have this idea on the outside, but then as soon as you open it up—oops, I have different things in here! And I could eat them all if I wanted to! I’m really into rabbit holes and get really enthusiastic about things, and that feels very jackfruit-ish to me.

You surprise yourself, too.

Yeah, for sure. That’s one of the most fun things about writing, not knowing where it’s gonna go.

In your alumni interview with Elon University, you said that you were working on two books: “One is a memoir about a neurological illness that began at Elon, and another is a narrative nonfiction book about the rise and fall of a fruitarian YouTube community.” When did you realize that those two books could be combined? When did they click?

Well, the not-cute answer is the first one didn’t sell, so it was a product of the publishing industry giving me a sign.

I wrote the memoir about the neurological stuff during my MFA and my PhD. For six years, most of my energy was toward that project, and it was very, very, very tethered to me. It did not at all really go outside of me, myself and I, and so I think I had to write that version just to get it out of my system or process it.

Now that I look back on it as a book, it does feel super insular and not as interesting to me in a bigger way in terms of thinking about getting rid of that loneliness that I felt. I just kind of let myself stay in that loneliness and feel like this is my story. And so after that one didn’t sell, I remember that I was just gonna, for fun, try writing something about the fruit people and see what happened.

I couldn’t stop coming back to myself, so eventually, I started realizing that they weren’t separate at all. I had thought of them as if I was going to write from the outside looking in, but then I realized, wait a second, the reason I was obsessed with them for so long was because there’s so many ways that they reflected my story back to me, and I, them. So it sort of became an invitation then to rewrite and rethink my own story, but in light of that one, and so I’m really glad that it happened the way it did.

All part of finding the jackfruit.

Exactly. I think it’s important for people to know that this book wasn’t born out of my first idea, or even my first draft or my first attempt. I’m always comforted by other people admitting, “I failed. I totally struck out, and now, I didn’t, and I’m okay.”

When I was looking up fruitarianism, I found something called the “alkaline diet.” According to healthline.com, it’s “based on the idea that replacing acid-forming foods with alkaline foods … can alter the pH of your body.” Such alkaline foods include fruits, nuts, legumes, vegetables. It explains that, “Proponents of this diet even claim that it can help fight serious diseases like cancer,” but goes on to say, “However, claims that it boosts health are not supported by reliable studies.” Why do you think language and fact checking are so important when it comes to talking about diet and health?

What you bring up is really important, which is, when I was looking at the fruit diet, I was twenty years old. Twenty! Looking at the website as a twenty-year-old, I would see stuff like “adrenal fatigue,” and it sounded so fancy, so legitimate. I didn’t even know what it was, but I heard that, and language like “toxins,” “arteries,” “clogging your arteries.” I started to believe it.

I think part of fact checking is just looking at the language that’s being employed and asking, “Do they have the credentials to support this language they’re using? And is it even a legitimate thing? Or is it more based in emotion and coming from a place of fear?” Like when I hear healthline.com mentioning cancer, I think a lot of times these diets warn us of what we all are most afraid of, which is dying, aging, getting really terrible diseases that have taken loved ones from all of us. Anytime that’s used as a reason for you to do something, look into the connection of, “Is that legitimate? Is it a peer reviewed study with a wide body of people? Or is it two people who ate blueberries, who were like, ‘Yeah, we don’t have cancer, we’re good’?”

When I was talking to these dieticians for the book, they were talking about how sometimes health practitioners will use their degrees, but not in helpful ways. For example, when I was on the banana website, there was this cardiologist who would say, “Don’t eat olive oil. Olive oil is a complete toxin. It clogs your arteries.” I started believing it. Then the dieticians I talked to years later were like, “That is not advice he should be giving to a twenty-year-old who has no heart problems. If you’re in your seventies and you’re having heart problems, then maybe that’s advice you can take.” Using medical credentials but manipulating it in a way where it’s to everyone, when no advice should be for every person, it should be more specific. Those are things I took away as being, if I were to ever get in a situation again, questions I would ask.

You mentioned getting rid of toxins and clogging right now, and in Chapter Two, you show how fruitarianism began as a religious movement in the late 1800s as people believed that restraint was pure, excess was sinful. Today, a lot of registered dieticians have gone viral on TikTok for suggesting an “add, don’t subtract” approach, where instead of trying to eat less unhealthy foods, you try to eat more healthy foods, as in, you add fruit to your oatmeal, instead of just eating fruit. What do you think this kind of approach says about today’s generation or today’s societal beliefs?

I don’t want to generalize, but I feel, potentially—and I say potentially because these resources are not always true—we do live in an era where we have more access to resources that contradict each other. For example, I can go on Instagram, and I’ll see something that’s like, “January 1st—do a detox for your body!” But then a licensed [registered dietitian] is next on my feed saying, “Look, if someone tells you to detox your body, that’s what you have kidneys for.” And I’m like, “Oh, yeah, I don’t need to fall for that scam.”

Abundance is something I thought a lot about in the book, and this idea of more versus less. At least for the fruitarians I followed, abundance was part of their appeal because it’s the Holy Grail of eating where you can eat more and still be thin or “healthy.”

I think there are more proponents of health, at every size, of not having to look a certain way, but instead feel a certain way or paying attention to actually just the eating itself and not worrying about what that means in terms of aesthetics or looks. It’s definitely something that I’ve seen more of lately that I really do appreciate.

You have a line in Chapter Fifteen that really stood out to me as a main takeaway from the book: “When choosing to follow someone online, [registered dietitian nutritionist] Dahlia [Marin] encourages people to ask, ‘Does this person have high emotional intelligence? And does this person live a life that I would want to live myself?’ If the answers to these questions are no, it might not be the best fit.” Could you give an example of what you think emotional intelligence might look like within diet culture?

Emotional intelligence in that context, at least for me, might be a willingness to be wrong, and a willingness to be flexible. When I see creators who are sticking to an idea of what is right or wrong, good or bad, it’s so easy to get pigeonholed into a certain belief system.

The anonymous person I talked to, they were talking about feeling like they were in an echo chamber, because at a certain point, all of the voices around them start to say the same thing. And I think that can happen on social media if you refuse to admit that maybe you were wrong. Maybe you could make a small change, and it might suit you better. Or if you start feeling unwell, trying a certain diet, having the courage to be like, “Actually, it’s not working for me anymore” without feeling shame about that. So I feel for me, that’s what I look for. Is this person painting broad strokes for a huge population of what they think is right? Or are they kind of sitting with you and being like, “Well, it’s complicated. Let’s try stuff.” And that seems to be more authentic and more of what life is, which is pretty messy all the time, in my opinion.

Is there anything that you would like to say about your book? One last message?

To my followers? No, I’m kidding.

Reaching for nuance whenever you can is richer than living in extremes one way or another. It’s sometimes less comfortable to live in the gray area where there aren’t rules and there aren’t definitive answers that tell you you’re doing the right thing, but I think it’s more real that way, and I think your life can be richer for it.


Christine Ro is a first-year Nonfiction student in the Creative Writing MFA program at The New School and one of the nonfiction editors of The Inquisitive Eater. She loves to write humor essays and screenplays. Some of her work can be found at The New School Free Press and The Inquisitive Eater.

we made ribs on a sunday.
just felt like the right thing to do.

cleaned out the pit, stacked
charcoal with the paper bag bits;

a fiery pyramid to
bless this food.

she came thru with the brats. also
had a taste for them hot links

farmer john. —ADD’EM!—
he prepared potato salad

a la BIG MOMS. he also found a can of beef chili,
HOT! added brown sugar + syrup + sauce BBQ & mustard

cause, we made ribs on a sunday.
this how we do things round here


Hailing from South Central, Los Angeles, Tauwan Patterson is a Black + Queer Poet and recent graduate of the MFA Creative Writing Program at Queens University of Charlotte, North Carolina. His work has appeared in online literary magazines Cool Beans Lit, 3rd Wednesday Magazine, Muse-Pie Press’ Shot Glass Issue #41, the Rising Phoenix Review, The Amazine, University of Baltimore’s Welter Literary Journal, and JMWW, and will also appear in the forthcoming Moonstone Arts Center anthology Which Side Are You On?!, With his poetry Tauwan aims to, in the words of the great Poet and Thinker Marcus Jackson, announce his freedom and presence. Making a sound that echoes in the end that says Tauwan Patterson. No more. No less.

in remembrance

Two matching cans of peaches in the cupboard
I can make that work said the chef’s eager hands
Flour, sugar, cinnamon, nutmeg, butter for the crumble
Said the kitchen : for your cobbler, we got all that

Second go round went with a can of diced pineapples
Upside down cake like taste please come inside
This time add the cake mix on top said the sibling
Didn’t forget lemon extract and that sweet sugar brown

One hour later :
Science forged
Let them taste it
Foot stomps/Eyes closed/Watery eyes


Hailing from South Central, Los Angeles, Tauwan Patterson is a Black + Queer Poet and recent graduate of the MFA Creative Writing Program at Queens University of Charlotte, North Carolina. His work has appeared in online literary magazines Cool Beans Lit, 3rd Wednesday Magazine, Muse-Pie Press’ Shot Glass Issue #41, the Rising Phoenix Review, The Amazine, University of Baltimore’s Welter Literary Journal, and JMWW, and will also appear in the forthcoming Moonstone Arts Center anthology Which Side Are You On?!, With his poetry Tauwan aims to, in the words of the great Poet and Thinker Marcus Jackson, announce his freedom and presence. Making a sound that echoes in the end that says Tauwan Patterson. No more. No less.

two honks and he is risen
in the living room from a couch more comfortable than you’d expect.

she cascades across the street in an ivory bathrobe
playing in the sunshine like a new year’s day float.

through the open front door on it comes :
the scent of morning glory on the breeze.

a row of drumsticks itching to be bbq’d
sunbathing in the window— thaw.

blinds cracked, do the dishes, vacuum the floor, brew the coffee;
skillet, eggs, sausage : home.


Hailing from South Central, Los Angeles, Tauwan Patterson is a Black + Queer Poet and recent graduate of the MFA Creative Writing Program at Queens University of Charlotte, North Carolina. His work has appeared in online literary magazines Cool Beans Lit, 3rd Wednesday Magazine, Muse-Pie Press’ Shot Glass Issue #41, the Rising Phoenix Review, The Amazine, University of Baltimore’s Welter Literary Journal, and JMWW, and will also appear in the forthcoming Moonstone Arts Center anthology Which Side Are You On?!, With his poetry Tauwan aims to, in the words of the great Poet and Thinker Marcus Jackson, announce his freedom and presence. Making a sound that echoes in the end that says Tauwan Patterson. No more. No less.