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by Nathalia Perozo

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Philosophers have long chastised carnal pleasures, placing gluttony and lust in the category of sinful vulgarity.  But as many foodies (and sex addicts) can attest, in the pursuit of bodily pleasures one often finds divinity. Whether it’s buried under an Insalata Caprese or glistening in post coital sweat, there is holiness in what presents itself when we excite our baser desires. That holiness is a direct result of surrender, of embracing a joie de vivre only obtained through immoderation. I would also posit that well-earned indulgence leads to sanctity. It is that inherent tension of hunger and satisfaction that binds food and sex so beautifully.

A few years ago I read the food critic Gael Greene’s memoir,  Insatiable.  The book starts with her recounting the time she had sex with Elvis Priestly as a teenager. Further on she mentions a tryst with the lean and vegetarian Clint Eastwood. Her memoir has two themes: good food and even better sex. When I first read it, Greene appeared to me to be simply a foie gras loving nymphomaniac. But now, having been inducted into the Dionysian worship of sex, food, and wine – I understand her path of pleasure seeking.

Aside from my obscene love of buttered bread, I’ve always been indifferent to gastronomy. My cooking skills cap at my ability to boil water but I now peruse cookbooks at leisure. If nothing else, flipping through the pages allows me to gush at the mini worlds of ingestible heaven created by the high priests we call chefs.

This fall I stumbled into a love affair that began with innocence and bloomed with intensity. Amidst the pink haze of romance I developed a voracious appetite. The sex was addicting and triggered an incessant desire for gratification. Good sex is uninhibited sex, and in letting myself go I sparked a deep craving for all kinds of consumption – particularly for wine and French cheese.

My new found hunger led to a remarkable culinary awakening. I used to view my yearnings as pitfalls, after all one of the major tenants of Buddhism is that desire leads to suffering. But I’ve learned to respect my cravings. Julia Child said it best in an interview with Esquire magazine, “I’m all for hunger among the well-to-do. For comfortable people, hunger is a very nice quality. For one thing, it means you’re healthy. And I love the anticipation.”

 

Nathalia Perozo received her MFA from The New School, where she served as Co-Chair of the Feminist Writer’s Organization. Her current project is a collection of poems inspired by Marilyn Monroe entitled Divinity. Nathalia lives and works in New York City.

Are chefs artists, technicians, or skilled laborers? Can food be a medium for expression, or is it just a meal?

Enjoy the video of the panel, organized by the Food Studies Program at The New School for Public Engagement in collaboration with SoFAB Center for Food Law, Policy & Culture and New York University, which addressed the complex relationships between food and art. The age-old questions of what qualifies as art and who qualifies as an artist are being framed in a new way and provocatively debated by panelists from various disciplines and professions, from artists  to chefs and food producers. The panel was part of the national series CULINARIA Query, produced under the aegis of Culinaria, a scholarly monograph series published by the SoFAB Center for Food Law, Policy & Culture, in partnership with the Tulane University Law School.

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Speakers include Fabio Parasecoli, Professor and Coordinator of the Food Studies Program at The New School, and will feature a panel of distinguished practitioners working in the food and beverage field: visual artists and crafts brewer Lauren Carter Grimm and Joe Grimm, co-owners of Brooklyn’s Grimm Ales; Michael Laiskonis, creative director at ICE; Nino Andonis, food photographer; Yael Raviv, Umami Food & Art festival director; and moderated by Liz Williams, President and Director of Southern Food & Beverage Museum.

The Food Studies Program of the New School for Public Engagement is partnering with The James Beard Foundation (JBF) to launch a series of panel discussions titled Dining + Design: Conversations with Chefs and Architects on Creating the Ideal Dining Experience. This unique series will feature conversations with top toques and architects, highlighting the critical relationship between a restaurant’s culinary concepts and physical design in creating the ideal dining experience.


This is the second panel discussion of the Dining + Design series. Speakers include:

– Chef Andrew Carmellini, The Dutch, Locanda Verde and Lafayette (coming soon)
– Robin Standefer and Stephen Alesch, Roman + Williams
– Moderated by Fabio Parasecoli, Coordinator, Food Studies program

Although food from Mexico, Brazil, and other Latin American countries has become a staple of the New York diet, Latino chefs often do not receive the same public recognition and critical accolades as those from other cultures. Their culinary traditions are frequently conflated and confused, and many consumers are still reluctant to pay a fair price for dishes that require expensive ingredients and extraordinary skills. What does it mean for Latino chefs to become successful in a competitive restaurant market like New York City? What structural and cultural obstacles do they face? What is the future for Latino labor in food service?